followed as if her eyes were closed or she was in the dark, it went as if it were playing, looking for a place to tickle as children do to make one another wriggle and laugh, where her skirt ended at her knee, going under her knee without displacing the skirt and touching the tendons and the hollow there. She didn’t want to laugh (what would her father make of such a response to his knowledgeable commentary) so she glided her hand to his and put it back with hers where it had been before.
one of the biggest diamonds in the world after the Koh-i-noor’s hundred-and-nine carats but that was found in India
The hand, his hand, pressed fingers into her thigh through the cotton flounce as if testing to see what was real about her; and stopped, and then out of the hesitation went down and, under the rug, up under the gauze of skirt, moved over her flesh. She did not look at him and he did not look at her.
and there are industrial gems you can cut glass with make bits for certain drills the hardest substance known
At the taut lip of her pants he hesitated again, no hurry, all something she was learning, he was teaching, the anticipation in his fingertips, he stroked along one of the veins in there in the delicate membrane-like skin that is at the crevice between leg and body (like the skin that the sun on manoeuvres couldn’t reach in the crook of his elbow) just before the hair begins. And then he went under the elastic edge and his hand was soft on soft hair, his fingers like eyes attentive to her.
look at this veld nothing suggests one of the greatest ever, anywhere, down there, down in what we call Blue Earth the diamondiferous core
She has no clear idea of where his hand is now, what she feels is that they are kissing, they are in each other’s mouths although they cannot look to one another.
Are you asleep back there? – the mother is remarking her own boredom with the mine – he is eight years older, able to speak: Just listening. His finger explores deep down in the dark, the hidden entrance to some sort of cave with its slippery walls and smooth stalagmite; she’s found, he’s found her.
The car is passing the mine processing plant.
product of the death and decay of forests millennia ago just as coal is but down there the ultimate alchemy you might say
Those others, the parents, they have no way of knowing. It has happened, it is happening under the old woolly rug that was all they can provide for her. She is free; of them. Found; and they don’t know where she is.
At the camp, the father shakes the soldier’s hand longer than in the usual grip. The mother for a moment looks as if she might give him a peck on the cheek, Godspeed, but it is not her way to be familiar.
Aren’t you going to say goodbye? She’s not a child, good heavens, a mother shouldn’t have to remind of manners.
He’s standing outside one of the tents with his hands hanging open at his sides as the car is driven away and the attention is upon her until, with his furry narrowed sight, he’ll cease to be able to make her out while she still can see him, see him until he is made one with all the others in khaki, replicated, crossing and crowding, in preparation to embark.
If he had been killed in that war they would have heard, through the grandmother’s connections.
Is it still you; somewhere, old?
Beethoven Was One-Sixteenth Black
Tape Measure
No one of any kind or shape or species can begin to imagine what it’s like for me being swirled and twisted around all manner of filthy objects in a horrible current. I, who was used to, knew only, the calm processes of digestion as my milieu. How long will this chaos last (the digestion has its ordained programme) and where am I going? Helpless. All I can do is trace back along my length – it is considerable also in the measure of its time – how I began and lived and what has happened to me.
My beginning is ingestion – yes, sounds strange. But there it is. I might have been ingested on a scrap of lettuce or in a delicacy of raw minced meat known as, I believe, Beefsteak Tartare. Could have got in on a finger