father who worked his heart out for his family – we never got the benefit of your tolerance. Your sisters (except Ottla, the one you admit you were a bad influence on, encouraging her to leave the shop and work on a farm like a peasant, to starve herself with you on rabbit-food, to marry that goy) were giggling idiots, so far as you were concerned. Your mother never felt the comfort of her son’s strength. You never gave us anything to laugh at, sad or otherwise. And you hardly spoke to me at all, even an insignificant word. Whose fault was it you were that person you describe ‘strolling about on the island in the pool, where there are neither books nor bridges, hearing the music, but not being heard.’ You wouldn’t cross a road, never mind a bridge, to pass the time of day, to be pleasant to other people, you shut yourself in your room and stuffed your ears with Oropax against the music of life, yes, the sounds of cooking, people coming and going (what were we supposed to do, pass through closed doors?), even the singing of the pet canaries annoyed you, laughter, the occasional family tiff, the bed squeaking where normal married people made love.
What I’ve just said may surprise. That last bit, I mean. But since I died in 1931 I know the world has changed a lot. People, even fathers and sons, are talking about things that shouldn’t be talked about. People aren’t ashamed to read anything, even private diaries, even letters. There’s no shame, anywhere. With that, too, you were ahead of your time, Franz. You were not ashamed to write in your diary, which your friend Brod would publish – you must have known he would publish everything, make a living out of us – things that have led one of the famous Kafka scholars to study the noises in our family flat in Prague. Writing about me: ‘It would have been out of character for Hermann Kafka to restrain any noises he felt like making during coupling; it would have been out of character for Kafka, who was ultra-sensitive to noise and had grown up with these noises, to mention the suffering they caused him.’
You left behind you for everyone to read that the sight of your parents’ pyjamas and nightdress on the bed disgusted you. Let me also speak freely like everyone else. You were made in that bed. That disgusts me: your disgust over a place that should have been holy to you, a place to hold in the highest respect. Yet you are the one who complained about my coarseness when I suggested you ought to find yourself a woman – buy one, hire one – rather than try to prove yourself a man at last, at thirty-six, by marrying some Prague Jewish tart who shook her tits in a thin blouse. Yes, I’m speaking of that Julie Wohryzek, the shoemaker’s daughter, your second fiancée. You even had the insolence to throw the remark in my face, in that letter you didn’t send, but I’ve read it anyway, I’ve read everything now, although you said I put ‘In The Penal Colony’ on the bedside table and never mentioned it again.
I have to talk about another matter we didn’t discuss, father and son, while we were both alive – all right, it was my fault, maybe you’re right, as I’ve said, times were different . . . Women. I must bring this up because – my poor boy – marriage was ‘the greatest terror’ of your life. You write that. You say your attempts to explain why you couldn’t marry – on these depends the ‘success’ of the whole letter you didn’t send. According to you, marrying, founding a family was ‘the utmost a human being can succeed in doing at all’. Yet you couldn’t marry. How is any ordinary human being to understand that? You wrote more than a quarter of a million words to Felice Bauer, but you couldn’t be a husband to her. You put your parents through the farce of travelling all the way to Berlin for an engagement party (there’s the photograph you had taken, the happy couple, in the books they write about you, by the way). The engagement was broken, was on again, off again. Can you wonder? Anyone who goes into a bookshop or library can read what you wrote to your fiancée when your sister Elli gave birth