over the execution of their cousin, Lady Jane Grey, and Elizabeth executed another cousin, Mary Queen of Scots. Elizabeth also had 123 priests drawn and quartered, and had other enemies tortured with bone-crushing manacles, another attraction on display in the Tower. Today the British royal family is excoriated for shortcomings ranging from rudeness to infidelity. You’d think people would give them credit for not having had a single relative decapitated, nor a single rival drawn and quartered.
Despite signing off on all that torture, Elizabeth I is among England’s most revered monarchs. Her reign has been called a golden age in which the arts flourished, especially the theater. It’s hardly news that Shakespeare’s tragedies depict a lot of violence. But his fictional worlds contained levels of barbarity that can shock even the inured audiences of popular entertainment today. Henry V, one of Shakespeare’s heroes, issues the following ultimatum of surrender to a French village during the Hundred Years’ War:why, in a moment look to see
The blind and bloody soldier with foul hand
Defile the locks of your shrill-shrieking daughters;
Your fathers taken by the silver beards,
And their most reverend heads dash’d to the walls,
Your naked infants spitted upon pikes.40
In King Lear, the Duke of Cornwall gouges out the eyes of the Earl of Gloucester (“Out, vile jelly!”), whereupon his wife, Regan, orders the earl, bleeding from the sockets, out of the house: “Go thrust him out at gates, and let him smell his way to Dover.” In The Merchant of Venice, Shylock obtains the right to cut a pound of flesh from the chest of the guarantor of a loan. In Titus Andronicus, two men kill another man, rape his bride, cut out her tongue, and amputate her hands. Her father kills the rapists, cooks them in a pie, and feeds them to their mother, whom he then kills before killing his own daughter for having gotten raped in the first place; then he is killed, and his killer is killed.
Entertainment written for children was no less grisly. In 1815 Jacob and Wilhelm Grimm published a compendium of old folktales that had gradually been adapted for children. Commonly known as Grimm’s Fairy Tales, the collection ranks with the Bible and Shakespeare as one of the bestselling and most respected works in the Western canon. Though it isn’t obvious from the bowdlerized versions in Walt Disney films, the tales are filled with murder, infanticide, cannibalism, mutilation, and sexual abuse—grim fairy tales indeed. Take just the three famous stepmother stories:
• During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41
• Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.”
• Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.” 42
As we shall see, purveyors of entertainment for young children today have become so intolerant of violence that even episodes of the early Muppets have been deemed too dangerous for them. And speaking of puppetry, one of the most popular forms of children’s entertainment in Europe used to be the Punch and Judy show. Well into the 20th century, this pair of bickering glove puppets acted out slapstick routines in ornate booths in English seaside towns. The literature scholar Harold Schechter summarizes a typical plot:It begins when Punch goes to pet his neighbor’s dog, which promptly clamps its teeth around the puppet’s grotesquely oversized nose. After prying the