eyes meaningfully at his best friend.
Rhyson may be looking at Grip, but Grip is looking at me, and if I didn’t know better, I would say he’s panicking. Before I have time to process what’s happening, how my world is about to be ripped into tiny pieces, Tessa begins her tirade.
“How you gonna ignore my calls and text messages?” Yelling, she fits her hands to the swell of her hips. “For two damn weeks, Grip?”
“I didn’t.” Grip looks at me with troubled eyes over her shoulder and then back to her face. “We just kept missing each other. What’s going on? What’s this about?”
“This is about me trying to tell you something I wanted to talk about in person, not over some voice mail.” Her strident voice pitches across the yard at him.
“Okay, damn, Tessa,” Grips says, irritation evident on his face. “I’m going with Rhyson to take his sister to the airport. Can we talk later? When I get back?”
“Who is she?” I whisper to Rhyson.
“That’s Tessa.” Rhyson stretches his eyebrows until they disappear under his unruly hair. “Grip’s girlfriend.”
“His girl—”
I choke on the rest of the word as a tight hand vises my throat. That can’t be. Last night’s water-dappled promises and sea salt kisses. The perfect kiss under the stars at the top of the world. All lies? We shared deep, dark lonely things. We shared everything, and it was the most honest connection I’ve ever had with anyone. And under it all was the lie that he could be mine? That maybe I could be his? That he didn’t belong to someone else? He would have said.
“No, we can’t talk when you get back,” Tessa snaps. “We need to talk now. I’m sick of chasing your ass down. You are taking responsibility for this.”
“Responsibility?” Grip shakes his head and shrugs “For what?” “For this baby, that’s for what,” she retorts with harsh smugness.
His wide eyes snap to my face, and any doubt that she might be the one lying, that somehow this is all a prank, a hidden camera stunt, dissolve. That guard I forgot about and dropped all week falls back into place over my heart just in time.
“We don’t cry in front of strangers.”
My mother’s admonition, the voice of reason in my head that I ignored the last few days, slips iron discs between my vertebrae.
“Rhyson, can we go?” I ask. “I can’t miss my flight home.” “Bristol!” Grip yells over the screeching banshee with wildly
gesticulating arms in front of him. “Wait. I can—”
I open the door to Rhyson’s car and get in, not wanting to hear the dollar-late, day-short explanations disguising his lies.
Rhyson gets in, glancing over his shoulder at the spectacle on the yard, the beautiful woman screaming at Grip’s rigid face and ticking jaw. He looks at me through the car window, his eyes begging me for something I won’t give.
Second chances.
“Drive, Rhyson.” My voice is rock and resolve. “Let your friend sort his shit out. I’m going home.”
***
The series is just beginning!
GRIP & STILL, books 2 and 3, are up next!
Keep reading!
Grip: GRIP Trilogy Book #2
Resisting an irresistible force wears you down and turns you out.
I know - I've been doing it for years.
I may not have a musical gift of my own,
but I've got a nose for talent and an eye for the extraordinary.
And Marlon James - Grip to his fans - is nothing short of extraordinary.
Years ago, we strung together a few magical nights, but I keep those memories in a locked drawer and I've thrown away the key. All that's left is friendship and work.
He's on the verge of unimaginable fame,
all his dreams poised to come true.
I manage his career, but I can't seem to manage my heart. It's wild, reckless, disobedient - and it remembers all the things I want to forget.
Copyright (c) Kennedy Ryan, 2017 ALL RIGHTS RESERVED
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form or by any means (mechanical, electronic, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of the book.
This is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.
“You are the perfect