going to pick up some Chinese. Want me to get you something?”
Would my dad know what the painting was, if he saw it? I hadn’t thought so—but looking at it in the light, the glow it threw off, I realized that any fool would. “Um, be right there,” I called, my voice false-sounding and hoarse, slipping the painting into an extra pillowcase and hiding it under the bed before hurrying out of the room.
vii.
IN THE WEEKS IN Las Vegas before school started, loitering around downstairs with the earphones of my iPod in but the sound off, I learned a number of interesting facts. For starters: my dad’s former job had not involved nearly as much business travel to Chicago and Phoenix as he had led us to believe. Unbeknownst to my mother and me, he had actually been flying out to Vegas for some months, and it was in Vegas—in an Asian-themed bar at the Bellagio—that he and Xandra had met. They had been seeing each other for a while before my dad vanished—a bit over a year, as I gathered; it seemed that they had celebrated their “anniversary” not long before my mother died, with dinner at Delmonico Steakhouse and the Jon Bon Jovi concert at the MGM Grand. (Bon Jovi! Of all the many things I was dying to tell my mother—and there were thousands of them, if not millions—it seemed terrible that she would never know this hilarious fact.)
Another thing I figured out, after a few days in the house on Desert End Road: what Xandra and my dad really meant when they said my dad had “stopped drinking” was that he’d switched from Scotch (his beverage of choice) to Corona Lights and Vicodin. I had been puzzled by how frequently the peace sign, or V for Victory, was flashed between them, in all sorts of incongruous contexts, and it might have gone on being a mystery for a lot longer if my dad hadn’t just come out and asked Xandra for a Vicodin when he thought I wasn’t listening.
I didn’t know anything about Vicodin except that it was something that a wild movie actress I liked was always getting her picture in the tabloids about: stumbling from her Mercedes as police lights flashed in the background. Several days later, I came across a plastic bag with what looked like about three hundred pills in it—sitting on the kitchen counter, alongside a bottle of my dad’s Propecia and a stack of unpaid bills—which Xandra snatched up and threw in her purse.
“What are those?” I said.
“Um, vitamins.”
“Why are they in that baggie like that?”
“I get them from this bodybuilder guy at work.”
The weird thing was—and this was something else I wished I could have discussed with my mother—the new, drugged-out Dad was a much more pleasant and predictable companion than the Dad of old. When my father drank, he was a twist of nerves—all inappropriate jokes and aggressive bursts of energy, right up until the moment he passed out—but when he stopped drinking, he was worse. He blasted along ten paces ahead of my mother and me on the sidewalk, talking to himself and patting his suit pockets as if for a weapon. He brought home stuff we didn’t want and couldn’t afford, like crocodile Manolos for my mother (who hated high heels) and not even in the right size. He lugged piles of paper home from the office and sat up past midnight drinking iced coffee and punching in numbers on the calculator, sweat pouring off him like he’d just done forty minutes on the StairMaster. Or else he would make a big deal of going to some party way the hell over in Brooklyn (“What do you mean, ‘maybe I shouldn’t go’? You think I should live like a fucking hermit, is that it?”) and then—after dragging my mother there—storm out ten minutes later after insulting someone or mocking them to their face.
This was a different, more affable energy, with the pills: a combination of sluggishness and brightness, a bemused, goofy, floating quality. His walk was looser. He napped more, nodded agreeably, lost the thread of his arguments, ambled about barefoot with his bathrobe halfway open. From his genial cursing, his infrequent shaving, the relaxed way he talked around the cigarette in the corner of his mouth, it was almost as if he were playing a character: some cool guy from a fifties noir or maybe Ocean’s Eleven, a lazy, sated gangster with not much to