stop anyway. He'd done nothing unusual, nothing that didn't appear normal. He would say that he'd found this funny little thing with the-was it film, Comrade?-stuff pulled out on the floor of the train, and thought it merely trash to be disposed of. In his pocket, the man was trying to pull the film out of the cassette. Whoever took it always left a few millimeters out so that you could yank all of it-or so they'd told him. But the cassette was slippery and he couldn't quite get a grip on the exposed end. The train stopped again and the courier moved out. He didn't know who was trailing him. He knew nothing other than that he'd gotten his wave-off signal, and that signal also told him to destroy what he had in the prescribed way-but he'd never had to do it before. He tried not to look around, and moved out of the station as quickly as anyone else in the crowd. For his part, Foley didn't even look out of the train's windows. It was nearly inhuman but he managed it, fearing above all that he might endanger his cutout.
The courier stood alone on a moving step of the escalator. Just a few more seconds and he'd be on the street. He'd find an alley to expose the film, and a sewer to dump it in, along with the cigarette he'd just lit. One smooth motion of the hand, and even if he were picked up, there would be no evidence, and his story, drilled into his head and practiced there every day, was good enough to make the KGB wonder. His career as a spy was now over. He knew that, and was surprised at the wave of relief that enveloped him like a warm, comfortable bath.
The air was a cold reminder of reality, but the sun was rising, and the sky was beautifully clear. He turned right and walked off. There was an alley half a block away, and a sewer grate that he could use. His cigarette would be finished just as he got there, yet another thing that he'd practiced. Now, if only he could get the film out of the cassette and exposed to sunlight Damn. He slipped off his other glove and rubbed his hands together. The courier used his fingernails to get the film. Yes! He crumpled the film and put the cassette back into his pocket, and-
"Comrade." The voice was strong for a man of his age, the courier thought. The brown eyes sparkled with alertness, and the hand at his pocket was a strong one. The other, he saw, was in the man's pocket. "I wish to see what is in your hand."
"Who are you?" the courier blustered. "What is this?" The right hand jerked in the pocket. "I am the man who will kill you, here on the street, unless I see what is in your hand. I am Major Boris Churbanov." Churbanov knew that this would soon be false. From the look on the man's face, he knew that he had his colonelcy.
Foley was in his office ten minutes later. He sent one of his men-actually a woman-out on the street to look for the signal that the dump had been made successfully, and his hope was that he'd simply goofed, that he'd overreacted to a commuter who was trying too hard to get to work. But but there was something about that face that had said professional. Foley didn't know what, but it had been there. He had his hands flat on the desk and stared at them for several minutes.
What did I do wrong? he asked himself. He'd been trained to do that, too, to analyze his actions step by step, looking for flaws, for mistakes, for Had he been followed? He frequently was, of course, like all Americans on the embassy staff. His personal tail was a man he thought of as "George." But George wasn't there very often. The Russians didn't know who Foley was. He was sure of that. That thought caught in his throat. Being certain about anything in the intelligence business was the surest route to disaster. That was why he'd never broken craft, why he never deviated from the training that had been drilled into him at Camp Peary, on the York River in Virginia, then practiced all over the world. Well. The next thing he had to do was predetermined. He walked to the communications room and