learned to drive in New York City, she could handle nearly anything. As with commuters all over the world, she had a route composed of indirect shortcuts that avoided the handful of traffic bottlenecks and saved a few minutes each day at the cost of an extra liter or two of benzin.
Immediately after turning a corner, she moved expertly to the curb and her husband hopped out. The car was already moving as he slammed the door shut and moved off, not too quickly, toward the side entrance of the apartment block. For once Ed Foley's heart was beating fast. He'd done this only once before and didn't like it at all. Once inside, he avoided the elevators and bounded up the eight flights of stairs, looking at his watch.
He didn't know how his wife did it. It pained his male ego to admit that she drove so much more precisely than he did, and could place her car at any spot she wished with an accuracy of five seconds, plus or minus. He had two minutes to get to the eighth floor. Foley accomplished it with seconds to spare. He opened the fire door, and anxious eyes scanned the corridor. Wonderful things, corridors. Especially the straight, bare ones in high-rise apartment buildings. Nowhere for people to lurk with their cameras, with a bank of elevators in the middle, and fire stairs at both ends. He walked briskly past the elevators, heading toward the far end. He could measure the time with his heartbeats now. Twenty yards ahead, a door opened, and a man in uniform came out. He turned to set the lock on his apartment door, then picked up the briefcase and headed toward Foley. A passerby, if there had been one, might have thought it odd that neither man moved to avoid the other.
It was over in an instant. Foley's hand brushed against CARDINAL'S, taking the film cassette and passing back a tiny rolled slip of paper. He thought he noted a look of irritation in the agent's eyes, but nothing more than that, not even a "Please excuse me, Comrade," as the officer continued toward the elevators. Foley walked straight into the fire stairs. He took his time going down.
Colonel Filitov emerged from the building at the appointed time. The sergeant holding the door of his car noted that his mouth was working on something, perhaps a crumb of bread caught between his teeth.
"Good morning, Comrade Colonel."
"Where's Zhdanov?" Filitov asked as he got in.
"He took ill. An appendix, they think." This drew a grunt.
"Well, move off. I want to take steam this morning."
Foley came out of the building's back entrance a minute later and walked past two other apartment blocks as he made his way to the next street over. He was just reaching the curb when his wife pulled over, picked him up almost without stopping. Both took a few deep breaths as she headed toward the embassy.
"What are you doing today?" she asked, her eyes still checking the mirror.
"The usual," was the resigned reply.
Misha was already in the steam room. He noted the absence of the attendant and the presence of a few unfamiliar faces. That explained the special pickup this morning. His face gave nothing away as he traded a few friendly words with the regulars. It was a pity that he'd run out of film in his camera. Then there was the warning from Foley. If he were under surveillance again-well, every few years some security officer or other would get a bug up his ass and recheck everyone at the Ministry. CIA had noticed and broken up the courier chain. It was amusing, he thought, to see the look on that young man's face in the corridor. So few people were left who knew what combat was like. People were so easy to frighten. Combat taught a man what to fear and what to ignore, Filitov told himself.
Outside the steam room, a "Two" man was riffling through Filitov's clothing. In the car, his briefcase was being searched. In each case, the job was done quickly and thoroughly.
Vatutin himself supervised the search of Filitov's apartment. It was a job for experts whose hands were in surgical gloves, and they spent much of their time looking for "telltales." It could be the odd scrap of paper, a crumb, even a single human hair placed in a specific spot whose removal would tell the man who lived in the flat that somebody had been