has said to Anna since entering the house.
Anna waves a distracted hand.
I will do it, she says. You go make sure I have not overlooked anything.
Jawohl, Trudy thinks.
She prowls from living room to kitchen and back again in a familiar circuit, even as she did as a girl, trailing Anna and asking questions to which Anna gave no answers. Naturally, everything is in perfect order. Upstairs, while checking for fresh hand towels in the bathroom, Trudy notices that Jack’s shaving gear is missing; in its place are Anna’s perfume bottles, each aligned a precise centimeter from the edge of the glass shelf. Trudy looks into her parents’ bedroom next: the bed is neatly made, but the floor is covered with labeled garbage bags. Jack’s clothes, ready for donation to the church. Trudy frowns and rubs her arms. She returns to the living room, takes her coat from the closet, and escapes to the porch, where she stands huddled and shaking.
She strains her eyes toward the road. A heavy blue dusk has fallen over the land, compressing the sky into the ground. By now there should be headlights moving in somber procession up the drive, beneath the black branches of the pines that border it. But there are none, and the only sound is the wind whistling over the fields.
Trudy waits until it is too dark to see. Then she walks back inside, switching on lamps as she goes. She finds Anna still in the dining room, sitting at the head of the table. Trudy can barely distinguish Anna from the shadows around her; she is merely another black solid shape, like the furniture.
Trudy fumbles for the wall switch and the frosted cups of the chandelier shed a sallow light. One of its bulbs has burned out.
I don’t think anyone’s coming, she tells Anna.
Anna appears not to have heard her. She is toying with a placemat, combing its tassels into straight lines. She looks tired, Trudy thinks. She is, perhaps, more pale than usual. But the loss of her husband will not leave any visible mark on her. Anna’s beauty is sunk in the bone. Although this is not Anna’s fault, Trudy finds it almost a personal affront that her mother should continue to be so composed and resplendent even now, even at seventy-three, in widow’s black.
Trudy starts to say something else—she has no idea whether it will be I’m sorry or What did you expect?—but Anna precludes this by nodding and getting to her feet. Without so much as a glance at Trudy or the untouched food, she proceeds through the double doors. Trudy hears nothing for a minute as Anna crosses the living room carpet; then there is the clocking of Anna’s heels on the stairs and in the hallway overhead. After this, a creak of springs as Anna settles onto the bed she has shared with Jack for over four decades. Then, again, silence.
Trudy remains where she is for a while, listening. When there is no further noise, she wanders into the kitchen and pours herself some of the coffee Anna has brewed in an industrial-sized urn. Trudy stands by the sink, not drinking but letting the cup warm her fingers, which are still stiff from being outside. She gazes through the window in the direction of what she knows is New Heidelburg, though she can’t see even the faint bruise of its lights on the horizon from here.
Trudy takes a sip of coffee. Why should she be surprised? she asks herself. Truth be told, she isn’t. The townsfolk have already paid their respects to Jack in the church. And now that he is gone, they no longer have any reason to be nice to his widow or her daughter. As they have wanted to do for years, ever since Jack first brought Anna to this country, the New Heidelburgers have washed their hands of her.
Anna and Max,
Weimar, 1939–1940
1
THE EVENING IS TYPICAL ENOUGH UNTIL THE DOG BEGINS to choke. And even then, at first, Anna doesn’t bother to turn from the Rouladen she is stuffing for the dinner that she and her father, Gerhard, will share, for the dachshund’s energetic gagging doesn’t strike her as anything unusual. The dog, Spaetzle, is forever eating something he shouldn’t, savaging chicken carcasses and consuming heels of bread without chewing, and such greed is inevitably followed by retching. Privately, Anna thinks him a horrid little creature and has ever since he was first presented to her five years ago on her fourteenth