gasped, crouched, brought up the stiletto, head swimming. The men were cloaked; they were on either side; there was the sound of footsteps on gravel, not his own. The dark shape of crossbows, the backlit shapes of the men… His head whirled.
“Master Thorn,” said a man’s voice, muffled and distant, “we require an hour of your attention.”
“Crooked Warden.” Locke gasped, and then even the faint colors of the trees seemed to drain from his vision, and the whole night went black.
3
WHEN HE came to, he was already sitting up. It was a curious sensation. He’d awoken before from blackness brought on by injuries and by drugs, but this was different. It was as though someone had simply set the mechanisms of his consciousness moving again, like a scholar opening the spigot on a Verrari water-clock.
He was in the common room of a tavern, seated on a chair at a table by himself. He could see the bar, and the hearth, and the other tables, but the place was dank and empty, smelling of mold and dust. A flickering orange light came from behind him—an oil lantern. The windows were greasy and misted over, turning the light back upon itself; he couldn’t see anything of the outside through them.
“There’s a crossbow at your back,” said a voice just a few feet behind him, a pleasantly cultured man’s voice, definitely Camorri but somewhat off in a few of the pronunciations. A native who’d spent time elsewhere? The voice was entirely unknown to him. “Master Thorn.”
Icicles seemed to grow in Locke’s spine. He racked his brains furiously for recall of those last few seconds in the park… Hadn’t one of the men there called him that, as well? He gulped. “Why do you call me that? My name is Lukas Fehrwight. I’m a citizen of Emberlain working for the House of bel Auster.”
“I could believe that, Master Thorn. Your accent is convincing, and your willingness to suffer that black wool is nothing short of heroic. Don Lorenzo and Doña Sofia certainly believed in Lukas Fehrwight, until you yourself disabused them of the notion.”
It isn’t Barsavi, Locke thought desperately. It couldn’t be Barsavi… Barsavi would be conducting this conversation himself, if he knew. He would be conducting it at the heart of the Floating Grave, with every Gentleman Bastard tied to a post and every knife in Sage Kindness’ bag sharpened and gleaming.
“My name is Lukas Fehrwight,” Locke insisted. “I don’t understand what you want or what I’m doing here. Have you done anything to Graumann? Is he safe?”
“Jean Tannen is perfectly safe,” said the man. “As you well know. How I would have loved to see it up close, when you strolled into Don Salvara’s office with that silly sigil-wallet under your black cloak. Destroying his confidence in Lukas Fehrwight just as a father gently tells his children there’s really no such thing as the Blessed Bringer! You’re an artist, Master Thorn.”
“I have already told you, my name is Lukas, Lukas Fehrwight, and—”
“If you tell me that your name is Lukas Fehrwight one more time, I’m going to put a bolt through the back of your upper left arm. I wouldn’t mean to kill you, just to complicate your life. A nice big hole, maybe a broken bone. Ruin that fine suit of yours, perhaps get blood all over that lovely parchment. Wouldn’t the clerks at Meraggio’s love to hear an explanation for that? Promissory notes are so much more attention-getting when they’re covered in gore.”
Locke said nothing for quite a long while.
“Now that won’t do either, Locke. Surely you must have realized I can’t be one of Barsavi’s men.”
Thirteen, Locke thought. Where the hell did I make a mistake? If the man was speaking truthfully, if he didn’t work for Capa Barsavi, there was only one other possibility. The real Spider. The real Midnighters. Had Locke’s use of the pretend sigil-wallet been reported? Had that counterfeiter in Talisham decided to try for a bit of extra profit by dropping a word with the duke’s secret constables? It seemed the likeliest explanation.
“Turn around. Slowly.”
Locke stood up and did so, and bit his tongue to avoid crying out in surprise.
The man seated at the table before him could have been anywhere between thirty and fifty; he was lean and rangy and gray at the temples. The mark of Camorr was upon his face; he bore the sun-darkened olive skin, the high temples and cheekbones, the sharp nose.
He wore a gray leather doublet over a