stuffed chair. All my detective work was laughable; I’d been toyed with all along. Even the elephant under the potted plant—that had been the work of the landlady too. She had snatched it away, of course, when I’d gone out through the door. She was the only one who was close enough to have got to it and away again before I had come back in. And all the rigamarole about my mother’s cousin with the improbable names... She must have taken me for a child after that, watching me stroll away up the stairs to my probable doom. “Him, not hardly...” I grimaced. I thought I knew what that meant, and I couldn’t argue with it. Well, maybe it would serve me some good in the end; maybe I could turn it to advantage. I would play the witless milksop, and then I would strike. I tried to convince myself of that.
Willis Pule tiptoed across to a pine table with a wooden chair alongside it. His tiptoeing was exaggerated, this time like a comic actor being effusively quiet, taking great silent knee-high steps. What was a madman but an actor who didn’t know he was acting, in a play that nobody else had the script for? He sat in the chair, nodding at me and working his mouth slowly, as if he were chewing the end of a cigar. What did it all mean, all his mincing and posing and winking? Nothing. Not a damned thing. All the alterations in the weather of his face were nonsense.
He laid the elephant on the table and removed its red jumbo pants with a sort of infantile glee. Then he patted his coat pocket, slipped out a straight razor, and very swiftly and neatly sawed the elephant’s ears off. A look of intense pity and sadness shifted his eyes and mouth, and then was gone.
I forgot to breathe for a moment, watching him. It wasn’t the ruining of the toy that got to me. I had built the thing, after all, and I’ve found that a man rarely regrets the loss of something he’s built himself; he’s always too aware of the flaws in it, of the fact that it wants a hat, but it’s too late to give it one. It was the beastly cool way that he pared the thing up—that’s what got to me: the way he watched me out of the corner of his eye, and looked up once to wink at me and nod at the neat bit of work he was accomplishing, almost as if to imply that it was merely practice, sawing up the elephant was. And, horribly, he was dressed just like his mother, too, still got up in the same florid chintz.
His mother walked past him, ignoring him utterly. I hoped that she might take the razor away from him. A razor in the hands of an obvious lunatic, after all... But she didn’t care about the razor. She rather approved of it, I think.
“Willis likes to operate on things,” she said matter-of-factly, the word operate effecting a sort of ghastly resonance in my inner ear. I nodded a little, trying to smile, as if pleased to listen to the chatter of a mother so obviously proud of her son. “He cut a bird apart once, and affixed its head to the body of a mouse.”
“Ah,” I said.
She cocked her head and favored me with a horrid grimace of sentimental wistfulness. “It lived for a week. He had to feed it out of a tiny bottle, poor thing. It was a night-and-day job, ministering to that helpless little creature. A night-and-day job. It nearly wore him out. And then when it died I thought his poor heart would break, like an egg. He enshrined it under the floorboards along with the others. Held a service and all.”
I shook my head, wondering at the notion of a heart breaking like an egg. They were both barmy, and no doubt about it. And given Pule’s years in apprenticeship with Narbondo, all this stuff about vivisection very likely wasn’t just talk. I glanced over at the table. Pule had managed to stuff a piece of candle through the holes where the beast’s ears had been. He lit it with a match at both ends, so that the twin flames shot out on either side of its head, melting the wax all over the tabletop and filling the room with the reek of burning rubber.
“Willis!” shrieked the