little accident. Looking at me, you’d never guess I’d killed three people. It isn’t fair.
I switched the light out again. The room was totally dark, not even the starlight showing while my eyes adjusted. Perhaps I would ask for one of those LED alarm radios, though I’m very fond of my old brass alarm clock. Once I tied a wasp to the striking-surface of each of the copper-coloured bells on the top, where the little hammer would hit them in the morning when the alarm went off.
I always wake up before the alarm goes, so I got to watch.
2
The Snake Park
I took the little cinder that was the remains of the wasp and put it into a matchbox, wrapped in an old photograph of Eric with my father. In the picture my father was holding a portrait-sized photograph of his first wife, Eric’s mother, and she was the only one who was smiling. My father was staring at the camera looking morose. The young Eric was looking away and picking his nose, looking bored.
The morning was fresh and cold. I could see mist over the forests below the mountains, and fog out over the North Sea. I ran hard and fast along the wet sand where it was good and firm, making a jet noise with my mouth and holding my binoculars and bag down tight to my sides. When I got level with the Bunker I banked inland, slowing as I hit the soft white sand further up the beach. I checked the flotsam and jetsam as I swept over it, but there was nothing interesting-looking, nothing worth salvaging, just an old jelly-fish, a purple mass with four pale rings inside. I altered course slightly to overfly it, going ‘Trrrrrfffaow! Trrrrrrrrrrrrrfffaow!’ and kicking it on the run, blasting a dirty fountain of sand and jelly up and around me. ‘Puchrrt!’ went the noise of the explosion. I banked again and headed for the Bunker.
The Poles were in good repair. I didn’t need the bag of heads and bodies. I visited them all, working through the morning, planting the dead wasp in its paper coffin not between two of the more important Poles, as I had intended originally, but under the path, just on the island side of the bridge. While I was there I climbed up the suspension cables to the top of the mainland tower and looked around. I could see the top of the house and one of the skylights over the loft. I could also see the spire of the Church of Scotland in Porteneil, and some smoke coming up from the town chimneys. I took the small knife from my left breast pocket and nicked my left thumb carefully. I smeared the red stuff over the top of the main beam which crosses from one I-girder to the other on the tower, then wiped my small wound with an antiseptic tissue from one of my bags. I scrambled back down after that and retrieved the ball-bearing I had hit the sign with the day before.
The first Mrs Cauldhame, Mary, who was Eric’s mother, died in childbirth in the house. Eric’s head was too big for her; she haemorrhaged and bled to death on the marital bed back in 1960. Eric has suffered from quite severe migraine all his life, and I am very much inclined to attribute the ailment to his manner of entry into the world. The whole thing about his migraine and his dead mother had, I think, a lot to do with What Happened To Eric. Poor unlucky soul; he was just in the wrong place at the wrong time, and something very unlikely happened which by sheer chance mattered more to him than anybody else it could have happened to. But that’s what you risk when you leave here.
Thinking about it, that means that Eric has killed somebody, too. I had thought that I was the only murderer in the family, but old Eric beat me to it, killing his mum before he had even drawn breath. Unintentional, admittedly, but it isn’t always the thought that counts.
The Factory said something about fire.
I was still thinking about that, wondering what it really meant. The obvious interpretation was that Eric was going to set fire to some dogs, but I was too wise in the ways of the Factory to treat that as definite; I suspected there was more to it.
In a way, I was sorry Eric was coming back. I had been