says, plucking at the rind of bread. “It felt as if I had no choice. As if…” The words lodge in her throat, but she isn’t sure if it’s the curse, or simply the memory. “It felt as if I’d die there.”
Remy nods thoughtfully. “Small places make for small lives. And some people are fine with that. They like knowing where to put their feet. But if you only walk in other people’s steps, you cannot make your own way. You cannot leave a mark.”
Addie’s throat tightens.
“Do you think a life has any value if one doesn’t leave some mark upon the world?”
Remy’s expression sobers, and he must read the sadness in her voice, because he says, “I think there are many ways to matter.” He plucks the book from his pocket. “These are the words of a man—Voltaire. But they are also the hands that set the type. The ink that made it readable, the tree that made the paper. All of them matter, though credit goes only to the name on the cover.”
He has misread her, of course, assumed the question stemmed from a different, more common fear. Still, his words hold weight—though it will be years before Addie discovers just how much.
They fall to silence, then, the quiet weighted with their thoughts. The summer heat has broken, given way to a breezy comfort with the thickest part of night. The hour settles on them like a sheet.
“It is late,” he says. “Let me walk you home.”
She shakes her head. “You do not have to.”
“But I do,” he protests. “You may disguise yourself as a man, but I know the truth, and so honor will not let me leave you. The darkness is no place to be alone.”
He does not know how right he is. Her chest aches at the idea of losing the thread of this night, and the ease beginning to take shape between them, an ease born of hours instead of days or months, but it is something, fragile and lovely.
“Very well,” she says, and his smile, when it answers, is pure joy.
“Lead the way.”
She has nowhere to take him, but she sets off, in the vague direction of a place she stayed several months before. Her chest tightens a little with every step, because every step brings her closer to the end of this, of them. And when they turn onto the street where she has placed her made-up home, and stopped before her imagined door, Remy leans in and kisses her once, on the cheek. Even in the dark she can see him blushing.
“I would see you again,” he says, “in daylight, or in darkness. As a woman, or a man. Please, let me see you again.”
And her heart breaks, because of course, there is no tomorrow, only tonight, and Addie is not ready for the thread to snap, the night to end, and so she answers, “Let me walk you home,” and when he opens his mouth to protest, she presses on, “The darkness is no place to be alone.”
He meets her gaze, and perhaps he knows her meaning, or perhaps he is as loath as she to leave this night behind, because he quickly offers his arm and says, “How chivalrous,” and they set off together again, laughing as they realize they are retracing their steps, returning the way they came. And if the walk to her imagined home was leisurely, the walk to his is urgent, threaded with anticipation.
When they reach his lodging house, they do not pretend to say good-bye. He leads her up the stairs, fingers tangled now, steps tripping and breathless, and when they reach his rented room, they do not linger on the threshold.
There is a faint catch in her chest at the idea of what comes next.
Sex has only ever been a burden, a necessity of circumstance, some required currency, and she has, up until now, been willing to pay the price. Even now, she is prepared for him to push her down, to shove her skirts out of the way. Prepared for the longing to break, forced away by the unsubtle act.
But he doesn’t thrust himself upon her. There is an urgency, yes, but Remy holds it taut as rope between them. He reaches out a single, steady hand, and lifts the hat from her head, sets it gently on the bureau. His fingers slide up the nape of her neck, and through her hair as his mouth finds hers, the kisses shy, and