with him, and have to suffer more for losing.”
“I would choose it anyway!” She shakes her head. “You never intended to let him live, did you?”
Luc inclines his head. “A deal is a deal, Adeline. And deals are binding.”
“That you would do all this to torment me—”
“No,” he snaps. “I did it to show you. To make you understand. You put them on such a pedestal, but humans are brief and pale and so is their love. It is shallow, it does not last. You long for human love, but you are not human, Adeline. You haven’t been for centuries. You have no place with them. You belong with me.”
Addie recoils, anger hardening to ice inside her.
“What a hard lesson it must be for you,” she says. “That you can’t have everything you want.”
“Want?” he sneers. “Want is for children. If this were want, I would be rid of you by now. I would have forgotten you centuries ago,” he says, a bitter loathing in his voice. “This is need. And need is painful but patient. Do you hear me, Adeline? I need you. As you need me. I love you, as you love me.”
She hears the pain in his voice.
Perhaps that is why she wants to hurt him worse.
He taught her well, to find the weakness in the armor.
“But that’s the thing, Luc,” she says, “I don’t love you at all.”
The words are soft, steady, and yet they rumble through the dark. The trees rustle, and the shadows thicken, and Luc’s eyes burn a shade she’s never seen before. A venomous color. And for the first time in centuries, she is afraid.
“Does he mean so much to you?” he asks, voice flat and hard as river stones. “Then go. Spend time with your human love. Bury him, and mourn him, and plant a tree over his grave.” His edges begin to blur into the dark. “I will still be here,” he says. “And so will you.”
Luc turns away, and is gone.
Addie sinks to her knees in the grass.
She stays there until the first threads of light seep into the sky, and then, at last, she forces herself up again, walks to the subway in a fog, Luc’s words looping through her head.
You are not human, Adeline.
You thought you found each other?
You must have thought yourselves so clever.
Spend time with your love.
I will still be here.
And so will you.
The sun is rising by the time she gets to Brooklyn.
She stops to pick up breakfast, a concession, an apology, for staying away all night. And that is when she sees the paper stacked against the newsstand. That is when she sees the date stamped in the upper corner.
August 6, 2014.
She left the apartment on the 30th of July.
Spend time with your love, he said.
But Luc has taken it. He didn’t just steal a night. He took an entire week. Seven precious days, erased from her life … and Henry’s.
Addie runs.
She stumbles through the door, and up the stairs, turns out her purse, but the key is gone, and she pounds on the door, terror surging through her that the world has changed, that Luc has somehow rewritten more than time, somehow taken more, taken everything.
But then the lock slides, and the door falls open, and there is Henry, exhausted, disheveled, and she knows, by the look in his eyes, that he did not expect her to come back. That at some point, between the first morning and the next, and the next, and the next, he thought she was gone.
Addie throws her arms around him now.
“I’m so sorry,” she says, and it is not just for the stolen week.
It is for the deal, the curse, the fact it is her fault.
“I’m sorry,” she says, over and over, and Henry doesn’t shout, doesn’t rage, doesn’t even say I told you so. He simply holds her tight, and says, “Enough,” says, “Promise me,” says, “Stay.”
And none of them are questions, but she knows he is asking, pleading with her to let it go, to stop fighting, stop trying to change their fates, and just be with him until the end.
And Addie cannot bear the thought of giving up, of giving in, of going down without a fight.
But Henry is breaking, and it is her fault, and so, in the end, she agrees.
New York City
August 2014
XVI
These are the happiest days of Henry’s life.
It is an odd thing to say, he knows.
But there is a strange freedom to it, a peculiar comfort in the knowing.