Coketown on the deep furnaces below, and casting titanic shadows of the steam-engines at rest upon the walls where they were lodged. The man seemed to have brightened with the night as he went on.

His home, in such another street as the first, saving that it was narrower, was over a little shop. How it came to pass that any people found it worth their while to sell or buy the wretched little toys, mixed up in its window with cheap newspapers and pork (there was a leg to be raffled for tomorrow night), matters not here. He took his end of candle from a shelf, lighted it at another end of candle on the counter, without disturbing the mistress of the shop, who was asleep in her little room, and went upstairs into his lodging.

It was a room not unacquainted with the black ladder under various tenants, but as neat at present as such a room could be. A few books and writings were on an old bureau in a corner, the furniture was decent and sufficient, and, though the atmosphere was tainted, the room was clean.

Going to the hearth to set the candle down upon a round three-legged table standing there, he stumbled against something. As he recoiled, looking down at it, it raised itself up into the form of a woman in a sitting attitude.

“Heaven’s mercy, woman!” he cried, falling farther off from the figure. “Hast thou come back agen?”

Such a woman! A disabled, drunken creature, barely able to preserve her sitting posture by steadying herself with one begrimed hand on the floor, while the other was so purposeless in trying to push away her tangled hair from her face that it only blinded her the more with the dirt upon it. A creature so foul to look at, in her tatters, stains and splashes, but so much fouler than that in her moral infamy, that it was a shameful thing even to see her.

After an impatient oath or two, and some stupid clawing of herself with the hand not necessary to her support, she got her hair away from her eyes sufficiently to obtain a sight of him. Then she sat swaying her body to and fro, and making gestures with her unnerved arm, which seemed intended as the accompaniment to a fit of laughter, though her face was stolid and drowsy.

“Eigh, lad? What, yo’r there?” Some hoarse sounds meant for this came mockingly out of her at last, and her head dropped forward on her breast.

“Back agen?” she screeched, after some minutes, as if he had that moment said it. “Yes! And back agen. Back agen ever and ever so often. Back? Yes, back. Why not?”

Roused by the unmeaning violence with which she cried it out, she scrambled up, and stood supporting herself with her shoulders against the wall; dangling in one hand by the string a dunghill-fragment of a bonnet, and trying to look scornfully at him.

“I’ll sell thee off again, and I’ll sell thee off again, and I’ll sell thee off a score of times!” she cried, with something between a furious menace and an effort at a defiant dance. “Come awa’ from th’ bed!” He was sitting on the side of it, with his face hidden in his hands. “Come awa’ from ’t. ’Tis mine, and I’ve a right to ’t!”

As she staggered to it, he avoided her with a shudder and passed—his face still hidden—to the opposite end of the room. She threw herself upon the bed heavily and soon was snoring hard. He sunk into a chair, and moved but once all that night. It was to throw a covering over her, as if his hands were not enough to hide her, even in the darkness.

CHAPTER XI

No Way Out

THE Fairy Palaces burst into illumination before pale morning showed the monstrous serpents of smoke trailing themselves over Coketown. A clattering of clogs upon the pavement, a rapid ringing of bells, and all the melancholy mad elephants, polished and oiled up for the day’s monotony, were at their heavy exercise again.

Stephen bent over his loom, quiet, watchful, and steady. A special contrast, as every man was in the forest of looms where Stephen worked, to the crashing, smashing, tearing piece of mechanism at which he laboured. Never fear, good people of an anxious turn of mind, that Art will consign Nature to oblivion. Set anywhere, side by side, the work of God and the work of man; and the former, even though