out; but I’m sure you shan’t have it for one.”
“You mean you won’t sell?” gasped Keawe.
“No, sir!” cried the boatswain. “But I’ll give you a drink of the rum, if you like.”
“I tell you,” said Keawe, “the man who has that bottle goes to hell.”
“I reckon I’m going anyway,” returned the sailor; “and this bottle’s the best thing to go with I’ve struck yet. No, sir!” he cried again, “this is my bottle now, and you can go and fish for another.”
“Can this be true?” Keawe cried. “For your own sake, I beseech you, sell it me!”
“I don’t value any of your talk,” replied the boatswain. “You thought I was a flat; now you see I’m not; and there’s an end. If you won’t have a swallow of the rum, I’ll have one myself. Here’s your health, and goodnight to you!”
So off he went down the avenue toward town, and there goes the bottle out of the story.
But Keawe ran to Kokua light as the wind; and great was their joy that night; and great, since then has been the peace of all their days in the Bright House.
Two Old Men
Kage Baker
It was Sunday, January 26, 1961, and Markie Souza was six years old. He sat patiently beside his mother in the long pew, listening to Father Gosse talk about how wonderful it was to have a Catholic in the White House at last. Markie knew this was a good thing, in a general kind of way, because he was a Catholic himself; but it was too big and too boring to think about, so he concentrated his attention on wishing his little sister would wake up.
She was limp on his mother’s ample shoulder, flushed in the unseasonable heat, and the elastic band that held her straw hat on was edging forward under her chin. Any minute now it was going to ride up and snap her in the nose. Markie saw his opportunity and seized it: he reached up and tugged the band back into place, just incidentally jostling the baby into consciousness. Karen squirmed, turned her head and opened her eyes. She might have closed them again, but just then everybody had to stand up to sing Tantum Ergo Sacramentum. The little girl looked around in unbelieving outrage and began to protest. Markie put his arms up to her.
“I’ll take her out, Mama,” he stage-whispered. His mother gratefully dumped the baby into his arms without missing a note. He staggered out of the pew and up the strip of yellow carpet that led to the side door. There was a little garden out there, a couple of juniper bushes planted around a statue of a lady saint. She was leaning on a broken ship’s wheel. It had been explained to Markie that she was the patron saint of sailors and fishermen. Markie’s daddy was a fisherman, and when he’d lived with them his mother had used to burn candles to this saint. Karen’s daddy wasn’t a fisherman, though, he only cut up fish at the big market on the other side of the harbor, and Markie assumed this was why Mama had stopped buying the little yellow votive candles any more.
Karen tottered back and forth in front of the statue, and Markie stood with his hands in his pockets, edging between her and the juniper bushes when she seemed likely to fall into them, or between her and the parked cars when she’d make a dash for the asphalt. It was a dumb game, but it was better than sitting inside. Every so often he’d look away from the baby long enough to watch the progress of a big ship that was working its way across the horizon. He wondered if his daddy was on the ship. The baby was quick to make use of an opportunity too, and the second she saw his attention had wandered would bolt down the narrow walkway between the church and the rectory. He would run after her, and the clatter of their hard Sunday shoes would echo between the buildings.
After a while there was singing again and people started filing out of the church, blinking in the light. Markie got a firm grip on Karen’s fat wrist and held on until Mama emerged, smiling and chatting with a neighbor. Mama was a big lady in a flowered tent dress, blonde and blue-eyed like Karen, and she laughed a lot, jolly and very loud. She cried loud too. She was usually doing