the snow, making room, looking for somewhere compact. Don’t fall backward. Each time he rose, the scarf stretched. He clawed upward and pulled himself higher. It was possible now. The sun had dipped all the way behind the trees. He made circles with his feet to loosen them, pushed his body sideways through the snow, exploded upward, tore his right foot from the snow and swung his leg, touched the wire, found grace.
He pulled his body onto the cable, kneeled, then lay a moment, looked at the sky, felt the cable become his spinal cord.
Never again did he walk in the snow: he allowed that sort of beauty to remind him of what could happen. He hung the scarf on a hook on the door and the next night he saw the coyote again, sniffing aimlessly around where his imprint still lay.
He sometimes went into the local town, along the main street, to the bar where the ranchers gathered. Hard men, they looked at him as if he were small, ineffectual, effete. The truth was that he was stronger than any of them. Sometimes a ranch hand would challenge him to an arm wrestle or a fight but he had to keep his body in tune. A torn ligament would be disaster. A separated shoulder would set him back six months. He placated them, showed them card tricks, juggled coasters. On leaving the bar he slapped their backs, pickpocketed their keys, moved their pickup trucks half a block, left the keys in the ignitions, walked home in the starlight, laughing.
Tacked inside his cabin door was a sign: NOBODY FALLS HALFWAY.
He believed in walking beautifully, elegantly. It had to work as a kind of faith that he would get to the other side. He had fallen only once while training—once exactly, so he felt it couldn’t happen again, it was beyond possibility. A single flaw was necessary anyway. In any work of beauty there had to be one small thread left hanging. But the fall had smashed several ribs and sometimes, when he took a deep breath, it was like a tiny reminder, a prod near his heart.
At times he practiced naked just to see how his body worked. He tuned himself to the wind. He listened not just for the gust, but for the anticipation of the gust. It was all down to whispers. Suggestion. He would use the very moisture in his eyes to test for it. Here it comes. After a while he learned to pluck every sound from the wind. Even the pace of insects instructed him. He loved those days when the wind rushed across the meadow with a fury and he would whistle into it. If the wind became too strong he would stop whistling and brace his whole self against it. The wind came from so many different angles, sometimes all at once, carrying treesmell, bogwaft, elkspray.
There were times when he was so at ease that he could watch the elk, or trace the wisps of smoke from the forest fires, or watch the red-tail perning above the nest, but at his best his mind remained free of sight. What he had to do was reimagine things, make an impression in his head, a tower at the far end of his vision, a cityline below him. He could freeze that image and then concentrate his body to the wire. He sometimes resented it, bringing the city to the meadow, but he had to meld the landscapes together in his imagination, the grass, the city, the sky. It was almost like he was walking upward through his mind on another wire.
There were other places where he practiced—a field in upstate New York, the empty lot of a waterfront warehouse, a patch of isolated sea marsh in eastern Long Island—but it was the meadow that was hardest to leave. He’d look over his shoulder and see that figure, neck-deep in snow, waving good-bye to himself.
He entered the noise of the city. The concrete and glass made a racket. The thrup of the traffic. The pedestrians moving like water around him. He felt like an ancient immigrant: he had stepped onto new shores. He would walk the perimeter of the city but seldom out of sight of the towers. It was the limit of what a man could do. Nobody else had even dreamed it. He could feel his body swelling with the audacity. Secretly, he scouted the towers. Past the guards. Up the stairwell. The south