the heels too high, their cleavage covered with wraparound scarves. It was like they had gone to a strange garage sale: the bright expensive clothes hidden with bits and pieces of dark. The Irishman looked so pale among them, so very white.
A man in a gaudy suit, wearing a hat with a purple feather, followed at the back of the procession. He looked drugged-up and malevolent. Under his suit jacket he wore a tight black turtleneck and a gold chain on his neck, a spoon hanging from it.
A boy who was no more than eight played a saxophone, beautifully, like some strange drummer boy from the Civil War. The music rang out in punctuated bursts over the graveyard.
I stayed in the background, near the road in a patch of overgrown grass, but as the service began, John A. Corrigan’s brother caught my eye and beckoned me forward. There were no more than twenty people gathered around the graveside but a few young women wailed deeply.
—Ciaran, he said again, extending his hand, as if I might have forgotten. He gave me a thin, embarrassed smile. We were the only white people there. I wanted to reach up and adjust his tie, fix his scattered hair, primp him.
A woman—she could only have been the dead girl’s mother—stood sobbing beside two men in suits. Another, younger woman stepped up to her. She took off a beautiful black shawl and draped it on the mother’s shoulders.
—Thanks, Ange.
The preacher—a thin, elegant black man—coughed and the crowd fell silent. He talked about the spirit being triumphant in the body’s fall, and how we must learn to recognize the absence of the body and praise the presence of what is left behind. Jazzlyn had a hard life, he said. Death could not justify or explain it. A grave does not equal what we have had in our lifetime. It was maybe not the time or the place, he said, but he was going to talk about justice anyway. Justice, he repeated. Only candor and truth win out in the end. The house of justice had been vandalized, he said. Young girls like Jazzlyn were forced to do horrific things. As they grew older the world had demanded terrible things of them. This was a vile world. It forced her into vile things. She had not asked for it. It had become vile for her, he said. She was under the yoke of tyranny. Slavery may be over and gone, he said, but it was still apparent. The only way to fight it was with charity, justice, and goodness. It was not a simple plea, he said, not at all. Goodness was more difficult than evil. Evil men knew that more than good men. That’s why they became evil. That’s why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn’t matter—it was none of those things, he said, and it had to be fought for.
—Justice, said Jazzlyn’s mother.
The preacher nodded, then looked up toward the high trees. Jazzlyn had been a child who grew up in Cleveland and New York City, he said, and she had seen those distant hills of goodness and she knew that one day she was going to get there. It was always going to be a difficult journey. She had seen too much evil on the way, he said. She had some friends and confidants, like John A. Corrigan, who had perished with her, but mostly the world had tried her and sentenced her and taken advantage of her kindness. But life must pass through difficulty in order to achieve any modicum of beauty, he said, and now she was on her way to a place where there were no governments to chain her or enslave her, no miscreants to demand the wrong thing, and none of her own people who were going to turn her flesh to profit. He stood tall then and said: Let it be said that she was not ashamed.
A wave of nods went around the crowd.
—Shame on those who wanted to shame her.
—Yes, came the reply.
—Let this be a lesson to us all, said the preacher. You will be walking someday in the dark and the truth will come shining through, and behind you will be a life that you never want to see again.
—Yes.
—That