that he will be here ten years from now, twenty, thirty. She would like to step up behind him and whisper, Boo! in his ear, but she watches the panel and the small circular white lights as they rise.
He pulls the lever, aligns the elevator and the floor perfectly. He slides his foot out to test his workmanship. A young man of precision. —Madame, he says. First door on your right.
—
The door is opened by a tall Jamaican nurse, a man. They are momentarily confused, as if they should know each other somehow. The exchange is rapid-fire. I’m Mrs. Soderberg’s niece. Oh, I see, come in. Not her niece, really, but she calls me her niece. Please come in. I called earlier. Yes, yes, she’s sleeping now. Step inside. How is she? Well… he says.
And the well is drawn out, a pause, not an affirmative—Claire is not well at all; she is at the bottom of a dark well.
Jaslyn hears the sound of other voices: a radio, perhaps?
The apartment seems as if it has been sunk in aspic. It used to terrify her and her sister as children, on those occasions when they came into the city with Gloria, the dark hallway, the artwork, the smell of old wood. She and her sister held hands as they walked down the corridor. The worst thing was the portrait of the dead man on the wall. The painting had been done in such a way that his eyes seemed to follow them. Claire would talk about him all the time, that Solomon had loved this and Solomon loved that. She had sold some of the other paintings—even her Miró, to help pay the expenses—but the Solomon portrait remained.
The nurse takes her bag and settles it in the corner against the hat stand.
—Please, he says, and he motions her toward the living room.
She is stunned to see six people, most of them her own age, around the table and on the sofa. They are casually dressed but sipping cocktails. Her heart thumps against the wall of her chest. They too freeze at the sight of her. Well, well. The true nieces, nephews, cousins, perhaps? Song of Solomon. He is dead fourteen years but she can see him in their faces. One, almost certainly, is Claire’s niece, with a streak of gray in her hair.
They stare at her. The air like ice around her. She wishes that she had taken Pino upstairs alongside her, so he could help take control, calmly, smoothly, or at least draw attention. She can still feel the kiss on her lips. She touches them with her fingers, as if she can hold the memory of it there.
—Hi, I’m Jaslyn, she says with a wave.
An idiotic wave. Presidential, almost.
—Hi, says a tall brunette.
She feels as if she has been nailed to the floor, but one of the nephews strides across the room. He has something of the petulant college boy about him, chubby face, a white shirt, a blue blazer, a red handkerchief in the breast pocket.
—Tom, he says. Lovely to meet you, Jaslyn, finally.
He says her name like something he wants to flick off his shoe, and the word finally stretches into rebuke. So he knows about her. He has heard. He probably thinks she’s here to dig. So be it. Gold digger. The truth is, she couldn’t care less about the will; if she got anything she would probably give it away.
—A drink?
—I’m fine, thanks.
—We figured that Auntie would’ve wanted us to enjoy ourselves even in the worst of times. He lowers his voice: We’re making Manhattans.
—How is she?
—She’s sleeping.
—It’s late—I’m terribly sorry.
—We have soda too, if you want.
—Is she …?
She cannot finish the sentence. The words hang in the air between her and Tom.
—She’s not well, he says.
That word again. A hollow echo all the way down to the ground. No splash. A constant free fall. Well well.
She dislikes them for drinking, but then she knows she should join them, that she should not be apart. Bring Pino back, let him slide some charm among them, let him take her off into the evening upon his arm, nestled up against his leather jacket.
—Maybe I’ll take a drink, she says.
—And so, says Tom, what exactly brings you here?
—Excuse me?
—I mean, what exactly do you do now? Weren’t you working for the Democrats or something?
She hears a slight giggle from across the room. They are facing her, all of them, watching, as if she has, at last, made it