definers. We developed our idea to live in the twenties, a Scott and Zelda going clean. We kept our antique car, even got it refurbished, the seats re-upholstered, the dashboard buffed. I cut my hair flapper-style. We loaded up on provisions: eggs, flour, milk, sugar, salt, honey, oregano, chili, and racks of cured meat that we hung from a nail in the ceiling. We wiped away the cobwebs and filled the cupboards with rice, grain, jams, marshmallows—we believed we’d eventually be that clean. Blaine had decided it was time to go back to canvas, to paint in the style of Thomas Benton, or John Steuart Curry. He wanted that moment of purity, regionalism. He was sick of the colleagues he’d gone to Cornell with, the Smithsons and the Turleys and the Matta-Clarks. They had done as much as they possibly could, he said, there was no going further for them. Their spiral jetties and split houses and pilfered garbage cans were passé.
Me too—I’d decided that I wanted the pulse of the trees in my work, the journey of grass, some dirt. I thought I might be able to capture water in some new and startling way.
We had painted the new landscapes separately—the pond, the kingfisher, the silence, the moon perched on the saddle of the trees, the slashes of redwings among the leaves. We had kicked the drugs. We had made love. It all went so well, so very very well, until our trip back to Manhattan.
—
A BLUE DAWN stretched in the room. Blaine lay like a stranded thing, all the way across the bed. Impossible to wake. Grinding his teeth in his sleep. A thinness to him, his cheekbones too pronounced, but he was not unhandsome: there were times he still reminded me of a polo player.
I left him in bed and went out onto the porch. It was just before sunrise and already the heat had burned the night rain off the grass. A light wind riffled across the surface of the lake. I could hear the faintest sounds of traffic from the highway a few miles away, a low gurgle.
A single jet stream cut across the sky, like a line of disappearing coke.
My head was pounding, my throat dry. It took a moment to realize that the previous two days had actually occurred: our trip to Manhattan, the humiliation at Max’s, the car crash, a night of sex. What had been a quiet life had gotten its noise again.
I looked over at the hut where Blaine had hidden the Pontiac. We had forgotten the paintings. Left them out in the rain. We hadn’t even covered them in plastic. They sat, ruined, leaning against the side of the hut, by some old wagon wheels. I bent down and flicked through. A whole year’s work. The water and paint had bled down into the grass. The frames would soon warp. Fabulous irony. All the wasted work. The cutting of canvas. The pulling of hair from brushes. The months and months spent painting.
You clip a van, you watch your life fade away.
I let Blaine be, didn’t tell him, spent the whole day avoiding him. I walked in the woods, around the lake, out onto the dirt roads. Gather all around the things that you love, I thought, and prepare to lose them. I sat, pulling the roots of vines off trees: it felt like the only valuable thing I could do. That night I went to bed while Blaine stared out over the water, licking the very last of the coke from the inside of the plastic baggie.
The following morning, with the paintings still out by the garage, I walked toward town. At a certain stage every single thing can be a sign. Halfway down the road a group of starlings flew up from a pile of discarded car batteries.
—
THE TROPHY DINER was at the end of Main Street, in the shadow of the bell-tower church. A row of pickup trucks stood outside with empty gun racks in their windows. A few station wagons were parked on the church grounds. Weeds had cracked through the pavement at the door. The bell clanged. The locals on the swivel seats turned to check me out. More of them than usual. Baseball caps and cigarettes. They turned quickly away again, huddled and chatting. It didn’t bother me. They never had much time for me anyway.
I smiled across at the waitress but she didn’t gesture back. I took one of the red booths under