his bed; he stays at his desk. His room is filled with science things--telescopes and such--but the walls are coated with the posters of classic horror films. It is a room I am comfortable in. I often go to the movies, the late shows.
"A story about me?" I ask. I glance at his computer screen, but he has returned to the word processor menu.
"Yes. Well, no, not really. But you inspired the story. It comes to me in waves. It's about this girl our age who's a vampire."
"I am a vampire."
He fixes his bulky glasses on his nose. "What?"
"I said, I am a vampire."
He glances at the mirror above his chest of drawers. "I can see your reflection."
"So what? I am what I say I am. Do you want me to drink your blood to prove it?"
"That's all right, you don't have to." He takes a deep breath. "Wow, I knew you were an interesting girl, but I never guessed..." He stops himself. "But I suppose that's not true, is it? I have been writing about you all along, haven't I?"
"Yes."
"But how is that possible? Can you explain that to me?"
"No. It's one of those mysteries. You run into them every now and then, if you live long enough."
"How old are you?"
"Five thousand years."
Seymour holds up his hand. "Wait, wait. Let's slow down here. I don't want to be a pest about this, and I sure don't want you to drink my blood, but before we proceed any further, I wouldn't mind if you showed me some of your powers. It would help with my research, you understand."
I smile. "You really don't believe me, do you? That's OK. I don't know if I want you to, not now. But I do want your advice." I lose my smile. "I am getting near the end of things now. An old enemy has come for me, and for the first time in my long life I am vulnerable to attack. You are the smart boy with the prophetic dreams. Tell me what to do."
"I have prophetic dreams?"
"Yes. Trust me or I wouldn't be here."
"What does this old enemy want? To kill you?"
"To kill both of us. But he doesn't want to die until I am gone."
"Why does he want to die?"
"He is tired of living,"
"Been around for a while, I guess." Seymour thinks a moment. "Would he mind dying at the same time as you?"
"I'm sure that would be satisfactory. It might even appeal to him."
"Then that's the answer to your problem. Place him in a situation where he is convinced you're both goners. But arrange it ahead of time so that when you do push the button--or whatever you do--that only he is destroyed and not you."
"That's an interesting idea*"
"Thank you. I was thinking of using it in my story."
"But there are problems with it. This enemy is extremely shrewd. It will not be easy to convince him that I am going to die with him unless it is pretty certain that I am going to die. And I don't want to die."
"There must be a way. There is always a way."
"What are you going to do in your story?"
"I haven't worked out that little detail yet."
"That detail is not little to me at the moment."
"I'm sorry."
"That's all right." I listen to his parents watching TV in the other room. They talk about their boy, hisr health. The mother is grief-stricken. Seymour watches me through his thick lenses.
"It's hardest on my mother," he says.
"The AIDS virus is not new. A form of it existed in the past, not exactly the same as what is going around now, but close enough. I saw it in action. Ancient Rome, in its decline, was stricken with it. Many people died. Whole villages. That's how it was stopped. The mortality rate in certain areas was so high that there was no one left alive to pass it on."
"That's interesting. There is no mention of that in history books."
"Do not trust in your books too much. History is something that can only be lived, it cannot be read about. Look at me, I am history." I sigh. "The stories I could tell you."
"Tell me."
I yawn, something I never do. Ray has drained me more than I realized. "I don't have time."
"Tell me how you managed to survive the AIDS epidemic of the past."
"My blood is potent. My immune system is impenetrable. I have not just come here to seek your help, although you have helped me.