it. Elegance is the correct posture if the writing is to be perfect. It's the same with life: when all superfluous things have been discarded, we discover simplicity and concentration. The simpler and more sober the posture, the more beautiful it will be, even though, at first, it may seem uncomfortable.'
Occasionally, she would talk about her work. She said she was enjoying what she was doing and that she had just received a job offer from a powerful emir. He had gone to the bank to see the manager, who was a friend of his (emirs never go to banks to withdraw money, they have staff who can do that for them), and while he was talking to Athena, he mentioned that he was looking for someone to take charge of selling land, and wondered if she would be interested.
Who would want to buy land in the middle of the desert or in a far-flung port? I decided to say nothing and, looking back, I'm glad I stayed silent.
Only once did she mention the man she loved, although whenever she was there when tourists arrived, one of the men would always start flirting with her. Normally Athena simply ignored them, but, one day, a man suggested that he knew her boyfriend. She turned pale and immediately shot a glance at her son, who, fortunately, wasn't listening to the conversation.
'How do you know him?'
'I'm joking,' said the man. 'I just wanted to find out if you were unattached.'
She didn't say anything, but I understood from this exchange that the man in her life was not the father of her son.
One day, she arrived earlier than usual. She said that she'd left her job at the bank and started selling real estate, and would now have more free time. I explained that I couldn't start her class any earlier because I had various things to do.
'I can combine two things: movement and stillness; joy and concentration.'
She went over to the car to fetch her radio-cassette and, from then on, Athena would dance in the desert before the start of our class, while the little boy ran round her, laughing. When she sat down to practise calligraphy, her hand was steadier than usual.
'There are two kinds of letter,' I explained. 'The first is precise, but lacks soul. In this case, although the calligrapher may have mastered the technique, he has focused solely on the craft, which is why it hasn't evolved, but become repetitive; he hasn't grown at all, and one day he'll give up the practice of writing, because he feels it is mere routine.
'The second kind is done with great technique, but with soul as well. For that to happen, the intention of the writer must be in harmony with the word. In this case, the saddest verses cease to be clothed in tragedy and are transformed into simple facts encountered along the way.'
'What do you do with your drawings?' asked the boy in perfect Arabic. He might not understand our conversation, but he was eager to share in his mother's work.
'I sell them.'
'Can I sell my drawings?'
'You should sell your drawings. One day, you'll become rich that way and be able to help your mother.'
He was pleased by my comment and went back to what he was doing, painting a colourful butterfly.
'And what shall I do with my texts?' asked Athena.
'You know the effort it took to sit in the correct position, to quieten your soul, keep your intentions clear and respect each letter of each word. Meanwhile, keep practising. After a great deal of practice, we no longer think about all the necessary movements we must make; they become part of our existence. Before reaching that stage, however, you must practise and repeat. And if that's not enough, you must practise and repeat some more.
'Look at a skilled blacksmith working steel. To the untrained eye, he's merely repeating the same hammer blows, but anyone trained in the art of calligraphy knows that each time the blacksmith lifts the hammer and brings it down, the intensity of the blow is different. The hand repeats the same gesture, but as it approaches the metal, it understands that it must touch it with more or less force. It's the same thing with repetition: it may seem the same, but it's always different. The moment will come when you no longer need to think about what you're doing. You become the letter, the ink, the paper, the word.'
This moment arrived almost a year