posing for her was actually making him rather hot, and he wouldn’t mind at all. By the fourth drawing, she asked him to masturbate for her, and again he willingly obliged, but just to make sure, he asked her if she wouldn’t prefer taking her clothes off and letting him join her on the bed, but she said no, she would rather keep her clothes on and continue drawing, but if, at the last moment, he would like to get out of the chair, walk over to the bed, and finish off what he was doing in her mouth, she would have no objection.
There have been five more sessions since then. The same thing has happened all five times, but they are no more than brief interruptions, small gifts they bestow on each other for the space of a few minutes, and then the work goes on as before. It is a perfectly fair arrangement, she feels. Her drawings have already improved because of Bing, and she is certain that the prospect of coming in her mouth will keep him interested in posing for her, at least for now, at least for the foreseeable future, and even if she has no desire to shed her clothes for him, the contact is comforting to her, and she takes pleasure in it as well. She would rather be drawing Miles, of course, and if Miles were the one who posed for her and not Bing, she wouldn’t hesitate to shed her clothes for him and let him do whatever he wanted to her, but that will never happen, she knows that now, and she mustn’t let her disappointment throw her off course. Miles scares her. The power he has over her scares her as much as anything has scared her in years, and yet she can’t stop herself from wanting him. But Miles wants the girl from Florida, he adores the girl from Florida, and when the girl came to Brooklyn and she saw how Miles looked at her, she knew that was the end of it. Poor Ellen, she mutters, speaking to no one in the empty room, poor Ellen Brice who always loses out to someone else, don’t feel sorry for yourself, go on with your drawings, go on letting Bing come in your mouth, and sooner or later all of you will be gone from Sunset Park, this ratty little house will be torn down and forgotten, and the life you are living now will fade into oblivion, not one person will remember you were ever here, not even you, Ellen Brice, and Miles Heller will vanish from your heart, in the same way you have already vanished from his heart, have never been in his heart, have never been in anyone’s heart, not even your own.
Two is the only number that counts. One defines the real, perhaps, but all the others are pure fantasy, pencil lines on a blank white page.
On Sunday, January fourth, she goes to visit her sister on the Upper West Side, and one by one she holds the naked bodies of her twin nephews, Nicholas and Bruno. Such masculine names for such tiny fellows, she thinks, just two months old and everything still before them in a world coming apart at the seams, and as she holds first the one and then the other in her arms, she is awed by the softness of their skin, the smoothness of their bodies as she presses them against her neck and cheeks, feels the young flesh in the palms of her hands and along her bare forearms, and again she remembers the phrase that has been repeating itself to her ever since it came into her head last month: the strangeness of being alive. Just think, she says to her sister, Larry puts his cock in you one night, and nine months later out come these two little men. It doesn’t make any sense, does it? Her sister laughs. That’s the deal, honey, she says. A few minutes of pleasure, followed by a lifetime of hard work. Then, after a short pause, she looks at Ellen and says: But no, it doesn’t make any sense—no sense at all.
Riding home on the subway that evening, she thinks about her own child, the child who was never born, and wonders if that was her only chance or if a time will come when a child starts growing inside her again. She takes out her notebook and writes:
The human