with a special fixation on young girls. Until now, all the women in his life have been more or less his own age. Pilar therefore does not represent an embodiment of some ideal female type for him—she is merely herself, a small piece of luck he stumbled across one afternoon in a public park, an exception to every rule. Nor can he explain to himself why he is attracted to her. He admires her intelligence, yes, but that is finally of scant importance, since he has admired the intelligence of other women before her without feeling the least bit attracted to them. He finds her pretty, but not exceptionally pretty, not beautiful in any objective way (although it could also be argued that every seventeen-year-old girl is beautiful, for the simple reason that all youth is beautiful). But no matter. He has not fallen for her because of her body or because of her mind. What is it, then? What holds him here when everything tells him he should leave? Because of the way she looks at him, perhaps, the ferocity of her gaze, the rapt intensity in her eyes when she listens to him talk, a feeling that she is entirely present when they are together, that he is the only person who exists for her on the face of the earth.
Sometimes, when he takes out his camera and shows her his pictures of the abandoned things, her eyes fill up with tears. There is a soft, sentimental side to her that is almost comic, he feels, and yet he is moved by that softness in her, that vulnerability to the aches of others, and because she can also be so tough, so talkative and full of laughter, he can never predict what part of her will surge forth at any given moment. It can be trying in the short run, but in the long run he feels it is all to the good. He who has denied himself so much for so many years, who has been so stolid in his abnegations, who has taught himself to rein in his temper and drift through the world with cool, stubborn detachment has slowly come back to life in the face of her emotional excesses, her combustibility, her mawkish tears when confronted by the image of an abandoned teddy bear, a broken bicycle, or a vase of wilted flowers.
The first time they went to bed together, she assured him she was no longer a virgin. He took her at her word, but when the moment came for him to enter her, she pushed him away and told him he mustn’t do that. The mommy hole was off-limits, she said, absolutely forbidden to male members. Tongues and fingers were acceptable, but not members, under no condition at any time, not ever. He had no idea what she was talking about. He was wearing a condom, wasn’t he? They were protected, and there was no need to worry about anything. Ah, she said, but that’s where he was wrong. Teresa and her husband always believed in condoms too, and look what happened to them. Nothing was more frightening to Pilar than the thought of becoming pregnant, and she would never risk her fate by trusting in one of those iffy rubbers. She would rather slit her wrists or jump off a bridge than get herself knocked up. Did he understand? Yes, he understood, but what was the alternative? The funny hole, she said. Angela had told her about it, and he had to admit that from a strictly biological and medical standpoint it was the one truly safe form of birth control in the world.
For six months now, he has abided by her wishes, restricting all member penetration to her funny hole and putting nothing more than tongue and fingers in her mommy hole. Such are the anomalies and idiosyncrasies of their love life, which is nevertheless a rich love life, a splendid erotic partnership that shows no signs of abating anytime soon. In the end, it is this sexual complicity that binds him fast to her and holds him in the hot nowhereland of ruined and empty houses. He is bewitched by her skin. He is a prisoner of her ardent young mouth. He is at home in her body, and if he ever finds the courage to leave, he knows he will regret it to the end of his days.
2
He has told her next to nothing about himself. Even on