why did you leave Camille and pick up Marylou?” No answer—giggles. “Marylou, why are you traveling around the country like this and what are your womanly intentions concerning the shroud?” Same answer. “Ed Dunkel, why did you abandon your new wife in Tucson and what are you doing here sitting on your big fat ass? Where’s your home? What’s your job?” Ed Dunkel bowed his head in genuine befuddlement. “Sal—how comes it you’ve fallen on such sloppy days and what have you done with Lucille?” He adjusted his bathrobe and sat facing us all. “The days of wrath are yet to come. The balloon won’t sustain you much longer. And not only that, but it’s an abstract balloon. You’ll all go flying to the West Coast and come staggering back in search of your stone.”
In these days Carlo had developed a tone of voice which he hoped sounded like what he called The Voice of Rock; the whole idea was to stun people into the realization of the rock. “You pin a dragon to your hats,” he warned us; “you’re up in the attic with the bats.” His mad eyes glittered at us. Since the Dakar Doldrums he had gone through a terrible period which he called the Holy Doldrums, or Harlem Doldrums, when he lived in Harlem in midsummer and at night woke up in his lonely room and heard “the great machine” descending from the sky; and when he walked on 125th Street “under water” with all the other fish. It was a riot of radiant ideas that had come to enlighten his brain. He made Marylou sit on his lap and commanded her to subside. He told Dean, “Why don’t you just sit down and relax? Why do you jump around so much?” Dean ran around, putting sugar in his coffee and saying, “Yes! Yes! Yes!” At night Ed Dunkel slept on the floor on cushions, Dean and Marylou pushed Carlo out of bed, and Carlo sat up in the kitchen over his kidney stew, mumbling the predictions of the rock. I came in days and watched everything.
Ed Dunkel said to me, “Last night I walked clear down to Times Square and just as I arrived I suddenly realized I was a ghost—it was my ghost walking on the sidewalk.” He said these things to me without comment, nodding his head emphatically. Ten hours later, in the midst of someone else’s conversation, Ed said, “Yep, it was my ghost walking on the sidewalk.”
Suddenly Dean leaned to me earnestly and said, “Sal, I have something to ask of you—very important to me—I wonder how you’ll take it—we’re buddies, aren’t we?”
“Sure are, Dean.” He almost blushed. Finally he came out with it: he wanted me to work Marylou. I didn’t ask him why because I knew he wanted to see what Marylou was like with another man. We were sitting in Ritzy’s Bar when he proposed the idea; we’d spent an hour walking Times Square, looking for Hassel. Ritzy’s Bar is the hoodlum bar of the streets around Times Square; it changes names every year. You walk in there and you don’t see a single girl, even in the booths, just a great mob of young men dressed in all varieties of hoodlum cloth, from red shirts to zoot suits. It is also the hustlers’ bar—the boys who make a living among the sad old homos of the Eighth Avenue night. Dean walked in there with his eyes slitted to see every single face. There were wild Negro queers, sullen guys with guns, shiv-packing seamen, thin, noncommittal junkies, and an occasional well-dressed middle-aged detective, posing as a bookie and hanging around half for interest and half for duty. It was the typical place for Dean to put down his request. All kinds of evil plans are hatched in Ritzy’s Bar—you can sense it in the air—and all kinds of mad sexual routines are initiated to go with them. The safe-cracker proposes not only a certain loft on 14th street to the hoodlum, but that they sleep together. Kinsey spent a lot of time in Ritzy’s Bar, interviewing some of the boys; I was there the night his assistant came, in 1945. Hassel and Carlo were interviewed.
Dean and I drove back to the pad and found Marylou in bed. Dunkel was roaming his ghost around New York. Dean told her what we had decided. She said she was pleased. I wasn’t so sure myself. I had to prove that I’d