managing partner who had originally brought me aboard at Samieti and Cheyne. Our creative group was in the middle of some very ticklish campaign preparations, and I wanted to apologize for in any way leaving them in the lurch. Of course I didn’t really feel all that sorry—Samieti and Cheyne was a ballet of fraudulence, and I was well out of it. The note was probably ultimately just so that the people who really mattered at S. & C. would be more apt to remember me as a decent, conscientious guy who it turned out was maybe just a little too sensitive and tormented by his personal demons—‘Almost too good for this world’ is what I seemed to be unable to keep from fantasizing a lot of them saying after news of it came through. I did not write Dr. Gustafson a note. He had his own share of problems, and I knew that in the note I’d spend a lot of time trying to seem as if I was being honest but really just dancing around the truth, which was that he was a deeply repressed homosexual or androgyne and had no real business charging patients to let him project his own maladjustments onto them, and that the truth was that he’d be doing himself and everybody else a favor if he’d just go over to Garfield Park and blow somebody in the bushes and try honestly to decide if he liked it or not, and that I was a total fraud for continuing to drive all the way in to River Forest to see him and bat him around like a catnip toy while telling myself there was some possible nonfraudulent point to it. (All of which, of course, even if they weren’t dying of colon cancer right in front of you you still could never actually come out and say to somebody, since certain truths might well destroy them—and who has that right?)
I did spend almost two hours before taking the first of the Benadryl composing a handwritten note to my sister Fern. In the note I apologized for whatever pain my suicide and the fraudulence and/or inability to love that had precipitated it might cause her and my stepdad (who was still alive and well and now lived in Marin County, California, where he taught part-time and did community outreach with Marin County’s homeless). I also used the occasion of the letter and all the sort of last-testament urgency associated with it to license apologizing to Fern about manipulating my stepparents into believing that she’d lied about the antique glass bowl in 1967, as well as for half a dozen other incidents and spiteful or fraudulent actions that I knew had caused her pain and that I had felt bad about ever since, but had never really seen any way to broach with her or express my honest regret for. (It turns out there are things that you can discuss in a suicide note that would just be too bizarre if expressed in any other kind of venue.) Just one example of such an incident was during a period in the mid-’70s, when Fern, as part of puberty, underwent some physical changes that made her look chunky for a year or two—not fat, but wide-hipped and bosomy and sort of much more broad than she’d been as a pre-teen—and of course she was very, very sensitive about it (puberty also being a time of terrible self-consciousness and sensitivity about one’s body image, obviously), so much so that my stepparents took great pains never to say anything about Fern’s new breadth or even ever to bring up any topics related to eating habits, diet and exercise, etc. And I for my own part never said anything about it either, not directly, but I had worked out all kinds of very subtle and indirect ways to torment Fern about her size in such a way that my stepparents never saw anything and I could never really be accused of anything that I couldn’t then look all around myself with a shocked, incredulous facial expression as if I had no idea what she was talking about, such as just a quick raise of my eyebrow when her eyes met mine as she was having a second helping at dinner, or a quick little quiet, ‘You sure you can fit into that?’ when she came home from the store with a new skirt. The one I still remembered the most