a duel. These soldiers would not stand for such an insult to the Service and to the Service's most successful fleet commander. And the guests, in the irrational manner of crowds, immediately began to head for the opposite exit. At the moment they started to move, however, those doors opened, too, and more soldiers came in. The crowd panicked, massed in a jumble in the middle of the hall, and began to shout and scream and scurry meaninglessly from place to place so that it was impossible to tell what was going on.
So Hop did what he always did. He stuck with Jason, following him as Jazz coolly walked to Arran Handully, who was looking dazed and vaguely depressed as the crowd whirled around her. Jazz picked her up and lifted her over his shoulder in a manner vaguely reminiscent of the worst excesses of the pornographic brutality plays. Hop had never seen Jazz treat a woman like that - but then, she had tried to kill him.
Fritz Kapock tried to interfere. Jason hit him, but the blow would only have slowed the artist down, hampered as Jason was by Arran's rather uncooperative bulk. Hop considered it his duty (and a pretty damn good idea for profits) to try to keep Jazz Worthing alive no matter what stupid things he was trying to do. So Hop used a few of the low blows he had learned in his childhood in the lowest corridor of Capitol, and Fritz was out for the duration. Perhaps longer. Hop didn't stop to check.
They headed for a service entrance, and Hop helped muscle a path for Jason to follow through the crowd that was trying to get out that way. Once into the corridor beyond the door (carpeted, Hop noticed - Arran had spent a lot of money on her flat), Jason looked at the direction the crowd was heading, and went the other way. Hop Noyock tagged along, noting with pleasure that he was young enough to appreciate the way Arran Handully looked as she wriggled and jerked, trying to free herself from Jason's grasp. When she started digging fingernails into Jazz's back, Noyock swatted her sharply. "None of that," he said, and she seemed to realize for the first time that she and Jazz weren't alone. She stopped struggling.
"Why don't they have anybody in here guarding the halls?" Hop asked.
"Because they're Servicemen, not constables, and certainly not Mother's Little Boys," Jason answered. "Besides, we're heading farther in, not out."
"Why the hell are we doing that?" Noyock asked, making it a point to breathe heavily so that Jazz knew how tired he was getting as they wound up a ramp.
"Go the other way, if you want to get picked up by angry soldiers."
Hop doggedly followed as Jason went up the ramp, and saw, to his relief, that the starpilot was capable of getting tired. Jazz slowed at the top of the ramp, then swung Arran off his shoulder and slammed her a little harder than necessary against a wall. He held her right hand in his, with his forearm pressing against her throat, and his legs both to one side of hers - he wasn't giving her an opportunity for any action. Just to be sure, however, Hop held her left hand, too. She shot him a glare.
"Don't look at me like that, Arran," Hop said, using his wounded dignity voice. "I'm only holding you twenty percent against the wall. He's responsible for eighty percent."
She didn't answer. Jazz ignored Hop, too, and so he stood holding Arran's hand as Jazz asked her, "Which way from here?"
She didn't answer.
"I know you have a hiding place, Arran. The reason those soldiers were there is because the test on the poison came out positive and they got mad. Want me to take you down there to them?"
She shook her head.
"Then where's the hiding place?"
Hop watched as Jazz stared at her eyes, as if hoping to pluck the answers out of them. Apparently Arran saw a different intent, and she let her eyes fill up with tears. A play for sympathy, Hop knew, but it didn't stop him from feeling instant pity. The bitch. Actresses shouldn't be allowed to have private lives. They didn't know how to stop acting.
Abruptly Jazz jerked her away from the wall and slung her over his shoulder again. Sighing wearily, Hop followed him off down a corridor.
The halls were narrower up here, Hop noticed, and the floors