four-room farmstead out near Madison, and began to work on it. Three months later it was transformed into what the realtor called "a spic-and-span charmer of a cottage in the woods," and after repaying his friends and the bank and the unbelievably patient credit manager at Lowe's, Don walked away from the place with nine thousand dollars in capital. Three thousand a month. Except it wasn't income, it was another down payment and the expenses involved in fixing up the next place.
Now he had enough that he could build new houses again. He could put Lark Homes back in business if he wanted to. There were people who still left messages for him, passed word along that they weren't going to build their dream house until Don Lark could build it for them, that's the kind of reputation he had. Once Don even went and stood on a building lot, a lovely hill in a development tucked away in an ell of a cemetery so it would always be surrounded by forest. But standing there, he saw nothing at all. Oh, he saw the flies, the birds, the squirrels. He even saw the slope of the land, the drainage. His eye picked out the peripheral trees that would be worth saving, and how the driveway would have to go.
What he couldn't see was the house. He couldn't imagine the future anymore. That part of him had been cut out and buried with his daughter. If the truest dream of your life could be taken away from you and then killed, what were all these houses for? Didn't people know better?
It wasn't Don's job to tell them. But he didn't have to build their houses, either.
So he stayed with the old houses. Abandoned, weathered, derelict houses, or rundown rentals that no one had cared about. Houses that spoke of dead dreams. It was a language Don could understand. And what he did in those houses was not build - someone else had already done that - but rather eke a little more life out of the old place. Make the aging timbers hold another life or group of lives for some brief span of time. Not ready for the boneyard yet.
Now he was starting yet another house, the most ambitious project so far. A house that had been built as a mansion. A house thick with old dreams cut up into tatty little nightmares and finally put to sleep and now his job was to wake the place up again.
The Bellamy house was solid. Jay Placer saw it too, but maybe he hadn't worked with enough old houses to understand how remarkable this one really was. Built in the 1870s, and yet there was no bowing or sagging anywhere. That was more than a matter of good workmanship. This house was a testament to the meticulous care of the original builder. The foundation had been deeply and properly laid. The backfill had been porous and the cellar had stayed dry. Therefore there was no settling. The sill rested on masonry high enough out of the ground that no rot had set in even after more than a century. The walls were solidly tied together and made of the finest tempered wood, and even the roof showed no sign of sagging. Many new homes showed carelessness in the building and it was obvious to Don that most houses being built today would be lucky to be standing fifty years from now. But this one had been built to stand until... until what? Forever.
If other people had Don's eye for quality, there's no chance this house would have been available at the price; no way would it have been left abandoned for so long. But what other people saw was the shabby face of the house, the seedy yard, the boarded-up windows, the smell of cheap old carpeting and thick-laid dust. It would take a year and thousands of dollars to get the place back into livable shape again. Other people had neither the time nor the money for it. But Don had nothing but time, and it wasn't half so expensive when you did the work yourself. As long as you knew how to do it.
No doubt about it, the Bellamy house had once been a beauty and it would be a beauty again a year from now. It would go on the market as the leaves were turning. Don would see to it that it looked like a dream of the