patrons had bolted out of the warped and rotting door of the Spot, and now, as the snow began to freeze and cover the cold black streets, only a few hard drinkers remained.
One of them, a gin-drenched gentleman by the name of Melvin, sat directly in front of me at the bar. Melvin squinted and attempted to read the titles of the cassettes behind my back. I wiped my hands lethargically on a blue rag that hung from the side of my trousers, and waited with great patience for Melvin to choose the evening’s next musical selection.
Melvin said, “Put on some Barry.”
I nodded and began to fumble through the stack of loose cassettes that were randomly scattered near the lowest row of call. The one I was looking for was close to the bottom, and its plastic casing was stained green with Rose’s lime. It was Barry White’s first recording, “I’ve Got So Much to Give,” from 1973. The cover art showed the Corpulent One holding three miniaturized women in his cupped hands.
“This the one, Mel?” I palmed it in front of his face. Mel nodded as I slipped the tape in and touched the play button.
Mel said, “Let me tell you somethin’ ’bout my boy Barry. You done been on a bad trip with your girlfriend—you put on Barry. Barry be talkin’ real pretty and shit, all of a sudden you sayin’, ‘I learned, baby. I sweeeear I learned.’” The bass of the Barrance came through the grilleless Realistic speakers, and Mel sensually joined in: “Don’t do that. Baby, pleeease don’t do that.”
Melvin Jeffers had just sunk his fifth rail martini. He had begun to sing and in all probability would continue to sing for the remainder of the night. I eyed my options down the bar.
Buddy and Bubba were in place at the far right corner, seated next to the Redskins schedule that was taped to the wall, the one with the placekicker booting the pigskin through goalposts shaped suspiciously like long-necked bottles of Bud. Buddy was short and cubically muscular with an angular face and white blond hair. Like many men who took up body building for the wrong reason, he had found to his dismay that having a pumped-up physique did nothing to diminish the huge chip that was on his shoulder. His friend Bubba also considered himself to be an athlete but was simply broad-shouldered and fat. Bubba had the pink, rubbery face that some unlucky alcoholics get and then keep after their thirtieth birthday.
I moved down the bar, picked up Buddy’s mug, and with my raised brow asked him if he wanted another. Buddy shook his head and made sure I saw him look me over. I turned my attention to Bubba.
“How ’bout you, Bubber?” I asked in my best whiny, mid-sixties Brando. “You want one?”
Bubba said, “Uh-uh,” then looked at his friend inquisitively, something he did every time I addressed him in this manner. In The Chase, a film that barely contained one of Marlon Brando’s most eccentric performances, the legendary actor continually mispronounced the name of Bubba, Robert Redford’s character, as “Bubber.” It was a film that the Spot’s Bubba had obviously missed.
I left them and, as I passed, avoided eye contact with the only remaining customer, a cop named Boyle. Buddy and Bubba were one thing, rednecks wearing ties, but I was in no mood to open that particularly poisonous, psychotic can of worms named Dan Boyle.
Instead I turned my back on all of them and began to wipe down the bottles on the call rack. I caught a sliver of my reflection in the bar mirror between liters of Captain Morgan’s and Bacardi Dark, then looked away.
ALMOST A YEAR HAD passed since I had taken my first case, a disaster that had ended with a close friend being numbered among the dead. I emerged relatively unscathed but had caught a glimpse of my mortality and, more startling than that, a fairly obvious map for the remainder of the trip. I had three grand in the bank and a District of Columbia private investigator’s license in my wallet. In my license photograph I sported a blue-black shiner below my left eye, a trophy I had earned in a Eurotrash disco while on a particularly ugly binge. Clearly I was on my way.
Though my tenure in retail electronics was over (I had made the poor career move of staging a gunfight in my former employer’s warehouse), I began the year with energy.