sunrise to noon. You arrive at the hall of heroes, with clay walls and a thatch roof. And sticks, and spaces for fighting. Boys enter to learn from the strongest fighters in all the villages and all the mountains. You cover yourself in ash so that at night you look as if you’ve come from the moon. You eat durra porridge. You kill the boy who is you, to become the man who is you, but everything must be learned. I asked the moonlight boy how to learn of women with no women to learn from.
Will you hear more, inquisitor?
One morning I caught the smell of kin following me to the river. A boy who thought I was his uncle’s son. I was hunting fish. He came to the bank and hailed me like he knew me, until he saw that he did not know me. I said nothing. His mother must have told him about the Abarra, the demon that comes to you like someone you know, with everything but a tongue. He did not run, but walked away slow from the bank and sat on a rock. Watching me. He could not have been more than eight or nine in years, with a white clay streak from ear to ear and over his nose, and white dots like a leopard’s all over his chest. I was a boy of the city and would have no luck catching fish. I dipped my hands in water and waited. Fish swam right into my hands but slipped out every time I tried to grab one. I waited, he watched. I grabbed a big one but it wriggled and frightened me and I tripped and fell into the river. The little boy laughed. I looked at him and laughed as well, but then came a smell in the forest, moving closer and closer. I smelled it—ochre, shea butter, underarm stenches, breast milk—and he smelled it too. We both knew the wind was carrying someone, but he knew who it was.
She came out of the trees as if out of the trees she sprung. A taller woman, an older woman, her face already cut sharp and gruff, her right breast not yet lanky. Her left she wrapped in a cloth slung over her shoulder. A band, red, green, and yellow around her head. Necklaces of every colour but blue piled one on top of the other, like a mountain all the way up to her earlobe. Goatskin skirt with cowries over a belly fat with child. She looked at the boy and pointed behind her. Then she looked at me, and pointed the same way.
On a morning with a lazy sun, the witchman woke me with a slap, then walked out of the hut, saying nothing. He laid beside me spear, sandals, and fabric to wrap around my hips. I rose quick and followed him. Down the river the village opened itself up with huts spread across a field. The first we passed were mounds of dry grass with a peak like a nipple. Then we passed by round huts of clay and dirt, red and brown with a roof of thatch and bush. In the center, the huts got bigger. Round and built in a cluster of five or six huts so that they looked like castles, with walls joining them together saying this is all for one man. The bigger the huts the shinier the walls, from those who could afford to rub the walls with blackstone. But most of the huts were not big. Only a man with many cows could have one hut for grain and another for cooking it.
The man with the biggest huts had six wives and twenty children, none of them a boy. He was looking for a seventh wife to give him a son at last. He was one of the few who came out of their huts to see me. Two boys and a girl, naked with no paint, followed the witchman and me until a woman shouted something in a harsh tongue and they ran to a hut behind us. We were now in the middle of the village, outside this man’s cluster. Two women were spreading a fresh layer of clay on the side of a grain keep. Three boys about my age came back from a hunt with a dead bushbuck. I did not see the moonlit one.
The return of the hunters woke up the town. Man and woman, girl and