men travels with him.”
“Fuck the gods. Well it’s been said that you have—”
“Do not say it.”
We dipped into an alley and took two small torches.
He followed me past a tower with seven floors and a thatch roof, one with three floors and another four floors high. We passed a small hut where lived a witch, for nobody wanted to live above or below a witch; three houses painted in the grid patterns of the rich; and another building of mysterious use. We had left roads and gone northwest, right at the edge of the fourth wall, and not far from the North fort. I was a savannah dog, picking up too much flesh, living and dead, and burned by lightning.
“Here.”
We stopped at a house four floors high, the taller buildings beside it throwing moon shadow. No door stood in front and the lowest window was as high as three men foot-to-shoulder. One window near the top and in the center, dark with what looked like flickering light. I pointed to the house, then the window.
“He is here.”
“Tracker, a problem you have,” he said and pointed up. “Are you now crow to my Leopard?”
“All the birds in the ten and three kingdoms and a crow is what you call me?”
“Fine, a dove, a hawk—how about an owl? You better fly quick because this place has no door.”
“There is a door.”
The Leopard looked at me hard, then walked as far around the house as he could.
“No, you have no door.”
“No, you have no eyes.”
“Ha, ‘you have no eyes.’ I listen to you and hear her.”
“Who?”
“The Sangoma. Your words fall just like hers. You think like her too, that you’re clever. Her witchcraft is still protecting you.”
“If it were witchcraft it wouldn’t be protecting me. She threw something on me that binds craft; this I was told by a witchman who tried to kill me with metals. It’s not as if one feels it on the skin or in the bones. Something that remains even after her death, which again makes it not witchcraft, for a witch’s spells all die with her.”
I walked right up to the wall as if to kiss it, then whispered an incantation low enough that not even his Leopard ears could hear.
“If it were witchcraft,” I said.
I shuddered and stepped back. This always made me feel the way I do when I drink juice of the coffee bean—like thorns were under my skin pushing through, and forces in the night were out to get me. I whispered to the wall, This house has a door and I with the wolf eye will open it. I stepped back and without my torch the wall caught fire. White flame raced to four corners in the shape of a door, consumed the shape, crackled and burned, then put itself out, leaving a plain wooden door untouched by scorch.
“Whoever is here is working witch science,” I said.
Mortar and clay steps took us up to the first floor. A room empty of man smell, with an archway setting itself off in the dark. Blue moonlight came through the windows. I knew stealth, but the cat was so quiet I looked behind me twice.
People were talking harshly above us. The next floor up had a room with a locked door, but I smelled no people behind it. Halfway up the steps the smells came down on us: scorched flesh, dried urine, shit, the stinking carcasses of beasts and birds. Near the top of the steps sounds came down on us—whispers, growls, a man, a woman, two women, two men, an animal—and I wished my ears were as good as my nose. Blue light flashed from the room, then flickered down to dark. No way we could climb the last steps without being seen or heard, so we stayed halfway. We could see in the room anyway. And we saw what flickered blue light.
A woman, an iron collar and chain around her neck, her hair almost white but looking blue as light flickered through the room. She screamed, yanked at the chain around her neck, and blue light burst within her, coursing along the tree underneath her skin that one sees when you cut parts of a man open. Instead of blood, blue light ran through her. Then she went dark again. The light was the only way we could make out the slaver in dark robes, the man who fed him dates, and somebody else, with a smell I both remembered and couldn’t recognize.
Then