did. And soon she had a silver tag on her file: Let this one go where she wants.
Chapter 4 Kemal
The Santa Maria sank on a reef on the north shore of Hispaniola, due to Columbus's foolhardiness in sailing at night and the inattention of the pilot. But the Nina and the Pinta did not sink; they sailed home to report to Europe on the vast lands awaiting them to the west, triggering a westward flood of immigrants, conquerors, and explorers that wouldn't stop for five hundred years. If Columbus was to be stopped, the Nina and the Pinta could not return to Spain.
The man who sank them was Kemal Akyazi, and the path that brought him to Tagiri's project to change history was a long and strange one.
Kemal Akyazi grew up within a few miles of the ruins of Troy; from his boyhood home above Kumkale he could see the waters of the Dardanelles, the narrow strait that connects the waters of the Black Sea with the Aegean. Many a war had been fought on both sides of that strait, one of which had produced the great epic of Homer's Iliad.
This pressure of history had a strange influence on Kemal as a child. He learned all the tales of the place, of course, but he also knew that the tales were Greek, and the place was of the Greek Aegean world. Kemal was a Turk; his own ancestors had not come to the Dardanelles until the fifteenth century. He felt that it was a powerful place, but it did not belong to him. So the Iliad was not the story that spoke to Kemal's soul. Rather it was the story of Heinrich Schliemann, the German explorer who, in an era when Troy had been regarded as a mere legend, a myth, a fiction, had been sure not only that Troy was real but also that he could find it. Despite all scoffers, he mounted an expedition and located it and unburied it. The old stories turned out to be true.
In his teens Kemal thought it was the greatest tragedy of his life that Pastwatch was using machines to look through the the millennia of human history. There would be no more Schliemanns, studying and pondering and guessing until they found some artifact, some ruin of a long-lost city, some remnant of a legend made true again. Thus Kemal had no interest in joining Pastwatch, though they tried to recruit him for it as he entered college. It was not history but exploration and discovery that he hungered for; what was the glory in finding the truth through a machine?
So, after an abortive try at physics, he studied to become a meteorologist. At the age of eighteen, heavily immersed in the study of climate and weather, he touched again on the findings of Pastwatch. No longer did meteorologists have to depend on only a few centuries of weather measurements and fragmentary fossil evidence to determine long-range patterns. Now they had accurate accounts of storm patterns for millions of years. Indeed, in the earliest years of Pastwatch, the machinery of the TruSite I had been so coarse that individual humans could not be seen. It was like time-lapse photography in which people don't remain in place long enough to be on more than a single frame of the film, making them invisible. So in those days Pastwatch recorded the weather of the past, erosion patterns, volcanic eruptions, ice ages, climatic shifts.
All that data was the bedrock on which modern weather prediction and control rested. Meteorologists could see developing patterns and, without disrupting the overall flow, could make tiny changes that prevented any one area from going completely rainless during a time of drought, or sunless during a wet growing season. They had taken the sharp edge off the relentless scythe of climate, and now the great project was to determine how they might make a more serious change, to bring a steady pattern of light rain to the desert regions of the world, to restore the prairies and savannas that had once been there. That was the work that Kemal wanted to be a part of.
Yet he could not bring himself out from the shadow of Troy, the memory of Schliemann. Even as he studied the climatic shifts involved with the waxing and waning of the ice ages, his mind contained fleeting images of lost civilizations, legendary places that waited for a Schliemann to uncover them.
His project for his degree in meteorology