or the Storehouse or what he’d intended there. What he had next done seemed to have unfolded in a state without volition. The images in his memory lacked any coherence, like a pack of cards spilled on the floor. It was Gloria who had found him afterward, huddled in the bushes at the base of their house, whimpering like a child. Sanjay, she was saying, what did you do? What did you do, what did you do? He could not answer her—at that point, he honestly had no idea—but he could tell from her face and voice that it was awful, unthinkable, as if he might have killed someone, and he let her lead him back inside and up to bed. It wasn’t until the sun was rising that he remembered what he’d done.
He was going mad.
So the day had passed. It was only by remaining awake—not merely awake but lying absolutely still, bringing all the force of his will to bear—that he believed he might restore some coherence to his troubled mind and avoid a repetition of the previous night’s events. This was his new vigil. For a time, shortly after dawn and then later, as darkness was coming on, there had been a commotion of voices downstairs (Ian’s and Ben’s and Gloria’s; he wondered what had happened to Jimmy). But this had ended too. He felt himself to be in a kind of bubble, everything unfolding at a distance, beyond his reach. At intervals he became aware of Gloria’s presence in the room, her worried face hovering above him, asking questions he could not bring himself to answer. Should I tell them about the guns, Sanjay? Should I? I don’t know what to do, I don’t know what to do. Why won’t you speak to me, Sanjay? But still he could say nothing. Even to speak would break the spell.
Now she was gone. Gloria was gone, Mausami was gone, everyone was gone. His Mausami. It was her image he was holding in his mind now—not the grown woman she had become but the tiny baby she’d been, this bundle of warm new life that Prudence Jaxon had placed into his arms—and as this image faded away, and Sanjay closed his eyes at last, he heard the voice, the voice of Babcock, coming out of the darkness.
Sanjay. Be my one.
He was in the kitchen now. The kitchen of the Time Before. Part of him was saying: You have closed your eyes, Sanjay. Whatever you do, you must not close your eyes. But it was too late, he was in the dream again, the dream of the woman and the telephone and her laughing voice of smoke and then the knife; the knife was in his hand. A great, heavy-handled knife that he would use to cut the words, the laughing words, from her throat. And the voice rose to him out of the darkness.
Bring them to me, Sanjay. Bring me one and then another. Bring them to me that you should live in this way and no other.
She was sitting at the table looking at him with her great padded face, smoke puffing from her lips in tiny clouds of gray. Watchoo doing with that knife? Huh? Is that supposed to scare me?
Do it. Kill her. Kill her and be free.
He lunged toward her and brought the knife down hard, all his force behind it.
But something was wrong. The knife had stopped, its gleaming brilliance frozen mid-plunge. Some force had come into the dream and stayed his hand; he felt its grip upon him. The woman was laughing. He was tugging and pulling, straining to bring the knife down, but it was no use. The smoke was pouring from her mouth and she was laughing at him, laughing laughing laughing …
He jerked awake. His heart was lurching in his chest. Every nerve in his body seemed to be firing at once. His heart! His heart!
“Sanjay?” Gloria had come into the room, carrying a lantern. “Sanjay, what is it?”
“Get Jimmy!”
Her face, disturbingly close to his own, was distorted with fear. “He’s dead, Sanjay. Don’t you remember? Jimmy’s dead!”
He hurled the covers aside, was standing, now, in the middle of the bedroom, a wild force galloping through him. This world, with its little things. This bed, this dresser, this woman named Gloria, his wife. What was he doing? Where had he meant to go? Why had he been calling for Jimmy? But Jimmy was dead. Jimmy was dead, Old Chou was