The room smelled like milk, and sweat, and sun-warmed hair: the smell of children, after a day. Sara crept between the rows of cots and cribs. Kat Curtis and Bart Fisher and Abe Phillips, Fanny Chou and her sisters Wanda and Susan, Timothy Molyneau and Beau Greenberg, whom everyone called “Bowow,” a mangling of his own name that had stuck to him like glue; the three J’s, Juliet Strauss and June Levine and Jane Ramirez, Rey’s youngest.
Sara came to a crib at the end of the last row: Dora Wilson, Leigh and Arlo’s girl. Leigh was sitting in a nursing chair beside her. New mothers were allowed to stay in the Sanctuary up to a year. Leigh was still a little heavy from her pregnancy; in the pale light of the room, her wide face seemed almost transparent, the skin pallid from so many months indoors. In her lap was a fat skein of yarn and a pair of needles. She lifted her eyes from her knitting at Sara’s approach.
“Hey,” she said quietly.
Sara acknowledged her with a silent nod and bent over the crib. Dora, wearing only a diaper, was sleeping on her back, her lips parted in a delicate O shape; she was snoring faintly through her nose. The soft, damp wind of her breathing brushed Sara’s cheekbones like a kiss. Looking at a sleeping baby, you could almost forget what the world was, she thought.
“Don’t worry, you won’t wake her.” Leigh yawned into her hand and resumed her knitting. “That one, she sleeps like the dead.”
Sara decided not to look for Mausami. Whatever was going on between her and Galen, it was none of her business. In a way she felt sorry for Gale. He had always had a thing for Maus—it was like an illness he could never quite shake off—and everyone said that when he’d asked Maus to pair with him, she’d said yes only because Theo had already refused her. That, or he’d never gotten around to asking, and Maus was trying to goad him into action. She’d hardly be the first woman who’d ever made that mistake.
But as she moved down the path, Sara wondered: Why couldn’t some things just be easy? Because it was the same with her and Peter. Sara loved him, she always had, even back when they were just Littles in the Sanctuary. There was no explaining it; as long as she could remember, she had felt it, this love, like an invisible golden thread that bound the two of them together. It was more than physical attraction; it was the broken thing inside him she loved most of all, the unreachable place where he kept his sadness. Because that was the thing about Peter Jaxon that nobody knew but her, because she loved him like she did: how terribly sad he was. And not just in the day-to-day, the ordinary sadness everyone carried for the things and people they had lost; his was something more. If she could find this sadness, Sara believed, and take it from him, then he would love her in return.
Which was the reason she had chosen to become a nurse; if she couldn’t be Watch—and she absolutely couldn’t—the Infirmary, where Prudence Jaxon presided, was the next best place to be. A hundred times she’d almost asked the woman: What can I do? What can I do to make your son love me? But in the end Sara had kept silent. She had gone about the work of learning her trade as best she could and waited for Peter, hoping he would know what she was offering him, simply by being in that room.
Peter had kissed her, once. Or maybe Sara had kissed him. The question of who had kissed whom, exactly, seemed unimportant in the face of the thing itself. They had kissed. It was First Night, late and cold. They’d all been drinking shine, listening to Arlo strum his guitar under the lights, and as the group dispersed in the last hour before dawn, Sara had found herself walking with Peter alone. She was a little lightheaded from the shine, but she didn’t think she was drunk, and she didn’t think that he was, either. A nervous silence fell over them as they moved down the path, not an absence of sound or speech but something palpable and faintly electric, like the spaces between the notes from Arlo’s guitar. It was in this bubble of expectancy that they walked together under the lights,