no surprise that someone wanted me dead.
Chapter Thirteen
I ran in place on the treadmill in the "exercise room," the hotel's token nod to fitness. At least it was in an enclosed area, which right now meant "safe." I'd woken up early, and I could tell by his breathing that Tolliver was deep in dreamland.
I had a better picture of why all these awful things were happening around me, but I didn't have any idea what to do about it. I had nothing to take to the police, nothing, and the Joyces were rich and connected. I didn't know if all of them were involved, or if the shooter and the murderer (I considered both the deaths of Mariah Parish and Rich Joyce to be murders) were one and the same and acting alone. The three Joyces and the Joyce boyfriend were all capable people with guns, almost undoubtedly. Maybe I was stereotyping, but I didn't think a western rancher like Rich Joyce would teach his granddaughters how to ride rodeo and neglect to teach them how to shoot, and Drex would have to learn as a matter of course. The boyfriend, too. I knew the least about Chip Moseley. He looked like a good match for Lizzie; he was just as lean and weather-beaten, and he looked competent and down-to-earth. He was skeptical of my claims, but he could join most of the people I met in that respect.
I was drenched with sweat when I began my cooldown. I walked for ten more minutes, then I dried my face with a towel and went back to the room. I was beginning to hate hotel rooms. I wouldn't have thought there was much of a domestic gene in me, but I wanted a home, a real home. I wanted a bedspread that wasn't synthetic. I wanted sheets that only I had slept on. I wanted to keep my clothes folded in a drawer; I didn't want to fish them out of a suitcase. I wanted a bookcase, not a cardboard box. We had those things in our apartment, but even the apartment didn't have any air of permanency. It was just a nicer rental than the hotel rooms.
In the elevator, I took a deep breath and shoved all those thoughts into a bucket in the corner of my mind. I put a heavy lid on the bucket and weighted that lid down with a rock. Lots of imagery, but I wanted to be sure I wasn't distracted at this crucial time when someone was gunning for us. I had to be extra strong with Tolliver sidelined.
Rudy Flemmons was standing outside the room, raising his hand to knock.
"Detective," I called, "hold on a minute."
He stayed in position, one hand raised in a fist, and I knew from the way he was standing that something was very wrong.
I came up to him and examined his face, or at least his profile. He didn't turn to look at me.
"Oh, no," I breathed. "Listen, let's go in the room." I reached past him to unlock the door, and we entered. I flicked on the light, hoping I wasn't waking Tolliver, but then I saw that the light was on in the bathroom and I knew he was up. I knocked on the door. "Hey, you okay in there? We've got company."
"This early?" he asked, and I knew he'd had a bad night.
"Honey, just get out here," I said, and hoped he got the message.
He did, and in thirty seconds he'd come out and made his way over to the seating area. I could tell by the way he was moving that he wasn't feeling good. I hurried to bring him some orange juice from the little refrigerator. There wasn't any point in offering some to Rudy Flemmons, who was sunk in a state that I assumed to be misery or extreme apprehension. I didn't know him well enough to tell exactly; I just knew it was bad.
It must have been an unpleasant way for Tolliver to start the day, but he eased back on the couch.
"Tell us why you're here," Tolliver said.
"I think Victoria 's dead," Rudy Flemmons said. "Her car was found this morning, in a cemetery in Garland. Her purse was in it."
"But you haven't found her body?" I said.
"No. I was wondering if you would come take a look."
This was sad, and it was also professionally awkward. In view of his obvious misery and our friendship with Victoria, I wasn't even