became normal and acceptable. No one told them what was happening was wrong. In fact, just the opposite.”
“No one should have had to,” snapped Reine-Marie.
“Myrna’s right,” said Armand, breaking his silence. “We see what she describes all the time. I saw it in the Sûreté Academy. I saw it in the brutality of the Sûreté itself. We see it when bullies are in charge. It becomes part of the culture of an institution, a family, an ethnic group, a country. It becomes not just acceptable, but expected. Applauded even.”
“But what you’re describing is a sort of counterfeit conscience,” said Reine-Marie. “Something that might look ‘right’ but is actually wrong. No one with an actual conscience would stand for it.”
“I wonder if that’s true,” said Myrna. “There was a famous psychological study, a test really. It was designed as a response to the Nazi trials, and their defense that their consciences were clear. It was war and they were just doing as they were told. It was Eichmann’s defense when he was caught, years later. The public was enraged, saying that no normal person would do what the Nazis did, and no civilized society would stand by and let it happen. So the social scientists, during the Eichmann trial, put it to the test.”
“Wait,” said Clara. “Before you tell us, I need another drink. Anyone else?”
Armand got up. “Let me.”
He and Myrna took the glasses to the kitchen, and poured more wine.
“Nothing for you?” she asked, pointing to the Glenfiddich.
“Non, merci. I think there’s quite a bit of work ahead tonight. That study you’re referring to, is it the Milgram experiment at Yale?”
“Yes.” She looked at Reine-Marie and Clara, chatting by the woodstove. “Would they have done it, do you think?”
“Isn’t the question more, would you have done it? Would I?”
“And the answer?”
“Maybe we’re doing it now, and don’t realize it,” he said, and thought of the notebook locked away in his quiet home. And what it contained. And what he was considering doing.
But, unlike the Nazis, he wouldn’t just be following orders. He’d be issuing them.
And hundreds, perhaps thousands, would almost certainly die.
Could he justify it?
CHAPTER 26
Isabelle Lacoste leaned closer to the laptop.
The fluorescent lights of the church basement were not kind to a computer screen. Or to the face reflected in it.
How did I get so old? she wondered. And so worried. And so green?
The photograph Beauvoir had been waiting to download had finally appeared, and he’d brought his laptop over to her desk. And now he sat beside her.
Not looking at his screen. He knew perfectly well what was there.
He was looking at Isabelle Lacoste.
She brought a manicured hand up to her face, resting her elbow on the desk and placing her fingers splayed over her mouth.
Staring at the screen. At the woman.
“That isn’t Madame Evans,” she finally said.
“No. This is a picture taken eighteen months ago, in Pittsburgh. I’ve been researching Katie Evans. So far she appears to be what everyone says. An up-and-coming architect. She did her thesis on glass houses. Adapting them to harsh climates, like ours. She completed her studies at the Université de Montréal, as we know.”
“Where they all met.”
“Oui. But she spent the summer between high school and university taking a course at Carnegie Mellon—”
“In Pittsburgh,” said Lacoste, going back to staring at the screen.
The photograph was both banal and awful. Perhaps because of the extreme normalcy of ninety percent of the image. And the horror at the very edge.
“Monsieur Gamache asked me to do some research on the cobrador a couple days ago, when it first showed up here. Among the things I found was that.”
Lacoste was right. It was not Katie Evans, though the woman on the screen was the same generation. In her early thirties. Well dressed. An executive, heading to work. Or home.
Hurrying, like everyone else.
It was an ordinary moment on any crowded street.
But something had caught the woman’s eye. She was just beginning to register it.
Isabelle felt the blood run cold in her veins.
The woman’s expression was like all the rest who rushed around her. But her eyes had begun to change. They had that look horses got when frightened and about to buck or bolt.
There, on the very edge of the photograph. At the far reaches of her peripheral vision. Just entering her orbit. Stood a cobrador.
Busy commuters, heads down looking at their devices, flowed around it, while this apparition from a time long forgotten stood like a black rock in a river.
And stared.
Though the woman