crevice, and moved to the north-eastern cliffs which dropped steeply to the sea. There were cavelike recesses there. He found one sheltered from the wind, scrambled down to the water's edge, collected some driftwood and started a fire. With his naked eye he could see that the covering of ice extended almost as far as the Sandsänkan lighthouse. The open sea looked like a black belt, a line from the north-east to the southwest. At the very edge of the ice he could make out some black spots that moved, a little group of seals, perhaps.
He took out his telescope and scanned the horizon. Nothing but sea, no ships.
The sea was emptiness, a reminder of infinity, an absence of limits.
He warmed himself in front of the fire, and eventually dozed off. The surrounding cliffs protected him from the wind. The smoke blew out to sea, almost invisible.
He woke up when the fire started to go out. For more than an hour he crawled among the icy rocks, collecting branches, broken fish boxes, parts of a ship's rail that had been washed up in a storm. He built himself a hut, just large enough for him to huddle up inside. He made some coffee and opened the last of his tins of meat. All he had left now were a few rusks and a frozen lump of butter. He drank the coffee in a series of sips, put more wood on the fire then huddled up with his feet inside one of the rucksacks.
He assessed the situation. That evening at the latest he would have to make his presence known. He could not keep watch on the cottage for another night. There was a risk that he would freeze to death. He had all day to make up his mind, to invent a story. A man who has walked all the way here over the ice must have a convincing explanation when he reveals his presence.
He tried to think calmly. The sailor and Sara Fredrika had not been sleeping together. They hadn't touched each other, not even laughed. The man had seemed despondent. Fear, he thought. Perhaps what I could see in the sailor wearing a German uniform was simply fear?
Something moved next to him. He gave a start. It was the cat. It was hungry, sniffing after bits of food in the empty tin and on the knife he had used to open the lid.
The cat studied him with vacant eyes. It was like one of the china figurines on Kristina Tacker's shelf. One that had fallen on the floor without breaking.
He exploded in fury. He grabbed the knife, stabbed the cat in the throat and slit open its stomach. Its intestines started to ooze out, the cat only had time to hiss before it was dead. Its mouth jerked a few times, its eyes wide open. He flung the body over the cliff and down to the ice. Then he wiped the blood from his hand and the knife.
There was no cat, he thought, wild with rage. That's what she said when I asked her. There was no cat. There is no cat. There is nothing.
CHAPTER 94
His fury subsided. The cat's death a memory already.
As a child he had sometimes trapped birds, then killed them by cutting off their heads with a pair of scissors from his father's study. Afterwards he had always felt distaste and regret. When he was a naval cadet he had joined some colleagues in tying bags of gunpowder to stray dogs, which were then released with burning fuses attached to the bags. They used to make bets on which of the dogs would run furthest before being blown to pieces.
But apart from that? He had never killed, he was afraid of death. The cat had come too close. It had trespassed on forbidden territory. The cat had crossed the barrier he surrounded himself with.
He gazed up at the sky. Ten o'clock. The shape of the white sun could be seen through the thin clouds. He looked down at the cat lying on the ice. A pool of blood had formed round the body.
In fact it wasn't the cat, he thought. What I attacked was something else. My father, perhaps? Or why not Lieutenant Jakobsson with his deformed hand and swollen face?
Two shadows appeared over the ice. Two eagles were hovering overhead. They had discovered the dead cat. He could see through his telescope that they were young sea eagles. They continued circling for a