between Fuck Lola and these incredibly narcissitic hopes of reconciliation that I did nothing to achieve. And then in August, after I got back from a trip to Santo Domingo, I heard from my mother that Lola had met someone in Miami, which was where she had moved, that she was pregnant and was getting married.
I called her. What the fuck, Lola—
But she hung up.
ON A SUPER FINAL NOTE
Years and years now and I still think about him. The incredible Oscar Wao. I have dreams where he sits on the edge of my bed. We’re back at Rutgers, in Demarest, which is where we’ll always be, it seems. In this particular dream he’s never thin like at the end, always huge. He wants to talk to me, is anxious to jaw, but most of the time I can never say a word and neither can he. So we just sit there quietly.
About five years after he died I started having another kind of dream. About him or someone who looks like him. We’re in some kind of ruined bailey that’s filled to the rim with old dusty books. He’s standing in one of the passages, all mysterious-like, wearing a wrathful mask that hides his face but behind the eyeholes I see a familiar pair of close-set eyes. Dude is holding up a book, waving for me to take a closer look, and I recognize this scene from one of his crazy movies. I want to run from him, and for a long time that’s what I do. It takes me a while before I notice that Oscar’s hands are seamless and the book’s pages are blank.
And that behind his mask his eyes are smiling.
Zafa
Sometimes, though, I look up at him and he has no face and I wake up screaming.
THE DREAMS
Took ten years to the day, went through more lousy shit than you could imagine, was lost for a good long while — no Lola, no me, no nothing — until finally I woke up next to somebody I didn’t give two shits about, my upper lip covered in coke — snot and coke — blood and I said, OK, Wao, OK. You win.
AS FOR ME
These days I live in Perth Amboy, New Jersey, teach composition and creative writing at Middlesex Community College, and even own a house at the top of Elm Street, not far from the steel mill. Not one of the big ones that the bodega owners buy with their earnings, but not too shabby, either. Most of my colleagues think Perth Amboy is a dump, but I beg to differ.
It’s not exactly what I dreamed about when I was a kid, the teaching, the living in New Jersey, but I make it work as best as I can. I have a wife I adore and who adores me, a negrita from Salcedo whom I do not deserve, and sometimes we even make vague noises about having children. Every now and then I’m OK with the possibility. I don’t run around after girls anymore. Not much, anyway. When I’m not teaching or coaching baseball or going to the gym or hanging out with the wifey I’m at home, writing. These days I write a lot. From can’t see in the morning to can’t see at night. Learned that from Oscar. I’m a new man, you see, a new man, a new man.
AS FOR US
Believe it or not, we still see each other. She, Cuban Ruben, and their daughter moved back to Paterson a couple of years back, sold the old house, bought a new one, travel everywhere together (at least that’s what my mother tells me — Lola, being Lola, still visits her). Every now and then when the stars are aligned I run into her, at rallies, at bookstores we used to chill at, on the streets of NYC. Sometimes Cuban Ruben is with her, sometimes not. Her daughter, though, is always there. Eyes of Oscar. Hair of Hypatia. Her gaze watches everything. A little reader too, if Lola is to be believed. Say hi to Yunior, Lola commands. He was your tío’s best friend.
Hi, tío, she says reluctantly.
Tío’s friend, she corrects.
Hi, tío’s friend.
Lola’s hair is long now and never straightened; she’s heavier and less guileless, but she’s still the ciguapa of my dreams. Always happy to see me, no bad feelings, entiendes. None at all.
Yunior, how are you?
I’m fine. How are you?
Before all hope died I used to have this stupid dream that shit could