grew louder. From the front of the congregation came a murmur of awe. Gwenda could see nothing, but she knew that a lamp had been lit on the altar, illuminating a reliquary, an elaborately carved ivory-and-gold box holding the bones of St Adolphus, that had not been there when the lights went out. The crowd surged forward, everyone trying to get closer to the holy remains. As Gwenda felt herself squashed between Sir Gerald and the man in front of him, she brought up her right hand and put the edge of the knife to the thong of his purse.
The leather was tough, and her first stroke did not cut it. She sawed frantically with the knife, hoping desperately that Sir Gerald was too interested in the scene at the altar to notice what was happening under his nose. She glanced upwards and realized she could just about see the outlines of people around her: the monks and nuns were lighting candles. The light would get brighter every moment. She had no time left.
She gave a fierce yank on the knife, and felt the thong give. Sir Gerald grunted quietly: had he felt something, or was he reacting to the spectacle at the altar? The purse dropped, and landed in her hand; but it was too big for her to grasp easily, and it slipped. For a terrifying moment she thought she was going to drop it and lose it on the floor among the heedless feet of the crowd; then she got a grip on it and held it.
She felt a moment of joyous relief: she had the purse.
But she was still in terrible danger. Her heart was beating so loudly she felt as if everyone must be able to hear it. She turned quickly so that her back was to the knight. In the same movement, she stuffed the heavy purse down the front of her tunic. She could feel that it made a bulge that would be conspicuous, hanging over her belt like an old man's belly. She shifted it around to her side, where it was partly covered by her arm. It would still be visible when the lights brightened, but she had nowhere else to put it.
She sheathed the knife. Now she had to get away quickly, before Sir Gerald noticed his loss - but the crush of worshippers, which had helped her take the purse unnoticed, now hindered her escape. She tried to step backwards, hoping to force a gap in the bodies behind her, but everyone was still pressing forward to look at the bones of the saint. She was trapped, unable to move, right in front of the man she had robbed.
A voice in her ear said: "Are you all right?"
It was the rich girl. Gwenda fought down panic. She needed to be invisible. A helpful older child was the last thing she wanted. She said nothing.
"Be careful," the girl said to the people around. "You're squashing this little girl."
Gwenda could have screamed. The rich girl's thoughtfulness would get Gwenda's hand chopped off.
Desperate to get away, she put her hands on the man in front and shoved, pushing herself backwards. She succeeded only in getting the attention of Sir Gerald. "You can't see anything down there, can you?" said her victim in a kindly voice; and, to her horror, he grasped her under the arms and lifted her up.
She was helpless. His big hand in her armpit was only an inch from the purse. She faced forward, so that he could see only the back of her head, and looked over the crowd to the altar, where the monks and nuns were lighting more candles and singing to the long-dead saint. Beyond them, a faint light showed through the big rose window at the east end of the building: dawn was breaking, chasing the evil spirits away. The clangour had stopped, now, and the singing swelled. A tall, good-looking monk stepped up to the altar, and Gwenda recognized him as Anthony, the prior of Kingsbridge. Raising his hands in a blessing, he said loudly: "And so, once again, by the grace of Christ Jesus, the evil and darkness of this world are banished by the harmony and light of God's holy church."
The congregation gave a triumphant roar, then began to relax. The climax of the ceremony had passed. Gwenda wriggled, and Sir Gerald got the message and put her down. Keeping her face turned away from him, she pushed past