played our last gig.’
In an effort to distract Lola from Hiroko, I tell her about what I’m trying to distract myself from. ‘You know how Rachel kissed me the other night?’
The question shocks her out of unhappiness momentarily. ‘That, I did not know. Wait. Why hasn’t she told me?’
‘Because it didn’t mean anything,’ I say, staring at the triangle of skin that’s showing while Rachel reaches for a book. ‘She said she was doing it to help me out by making Amy jealous.’
Like I’ve said, Lola has a terrible poker face. She can keep a secret, but her face can’t lie. ‘You think the kiss meant something?’
She chews a mint to buy herself some time. She chews another to buy herself some more.
‘Tell me,’ I say, but she stands up to leave.
‘This I can’t tell you,’ she says. ‘This, you have to work out for yourself.’
Cloud Atlas
by David Mitchell
Letters left between pages 6 and 7
10 February 2016
Dear Rachel
I don’t think I thanked you quite enough for the kiss. It’s actually the nicest thing that a girl has ever done for me.
I’ve been searching for more Derek Walcott this week. I’ve ordered some in but I don’t get the feeling that I’ve found Frederick’s copy.
I’ve been reading my way through an edition of Tennessee Williams’ plays. I finished ‘A Streetcar Named Desire’ last night. Very sexy. Very sad. It made me feel like love is a thing that could fall apart in my hands. Desire, on the other hand, is alive and well. But I know you’re not interested in either of those things, being dead on the inside as you say.
I actually think you’re the opposite of dead. I think you’re trying to be dead so you don’t think about Cal. Is that why you haven’t told anyone about him except for me?
Henry
Dear Henry
I don’t think I phrased it exactly like that. I’m not completely dead on the inside.
I don’t know why I haven’t told anyone but you about Cal. It can’t be so that I don’t think about him because I do that all the time.
At the moment I keep going over the week leading up to his death. I told you some of what happened, but not all. This giant bird arrived in town. Cal and I were sitting on the beach. We’d finished eating fish and chips and were licking the salt off our fingers when it landed in front of him.
He held out his last chip, but the bird wouldn’t take it. It stared right at him, with eyes that were different to any bird eyes I’d seen before.
I didn’t like the way it looked at him, or the way it followed us home, a low grey lash on the sky. I didn’t like that it was there when we arrived.
Mum’s a crazy birdwatcher and she was outside with her books trying to locate the exact species. She studied the eyes and the beaks and the claws, but we couldn’t pin it down. Its wings were luminescent in the darkness, like a pearl shot through with the blues and greens that come out in certain lights.
On the night before Cal died, I saw him outside with the bird. He ran a finger all the way down its chest and it didn’t move.
He headed off to the beach, and there was something about his shadow on the lawn; about the way the bird flew above him, an avian moon. The blues and the purples in the night seemed to be swamping him, and when I look back now, I can see that even the light was warning me about what was coming. I think it was a sign. I think that we got so many signs and we ignored them because we didn’t believe in them.
I wonder if the future sends us hints to get us ready, so that the grief doesn’t kill us when it comes.
Rachel
Dear Rachel
I believe in a lot of things that you don’t – you know I’m superstitious.
But I don’t believe that the future gives us signs. I think that we look back and read the past with the present in our eyes. I think that’s what you’re doing. Maybe you need to look forward, and start reading the future.
Henry
the future isn’t here yet
I text Rachel after dinner tonight, to make sure she’s okay. The letters we exchanged this afternoon felt important. I’d call her, like I did in the old days, but she’s explained that the warehouse has no walls and Rose