his legs casually crossed in front of him. He was wearing jeans, a dark jacket that belted at the waist, and old, rundown cowboy boots. On his jacket was a button that showed a pig’s head with a bullet-hole between the eyes. In his lap this newcomer held a drawstring bag. He rose, standing in the seat of the throne like a child in daddy’s chair, and the smile dropped away from his face like loose skin. Now his eyes blazed, and his lips parted over vast, hungry teeth.
“Get them, Andrew! Get them! Kill them! Every sister-fucking one of them!”
“My life for you!” the man in the alcove screamed, and for the first time Jake saw the machine-gun propped in the corner. Tick-Tock sprang for it and snatched it up. “My life for you!”
He turned, and Oy was on him once again, leaping forward and upward, sinking his teeth deep into Tick-Tock’s left thigh, just below the crotch.
Eddie and Susannah drew in unison, each raising one of Roland’s big guns. They fired in concert, not even the smallest overlap in the sound of their shots. One of them tore off the top of Tick-Tock’s miserable head, buried itself in the equipment, and created a loud but mercifully brief snarl of feedback. The other took him in the throat.
He staggered forward one step, then two. Oy dropped to the floor and backed away from him, snarling. A third step took Tick-Tock out into the throneroom proper. He raised his arms toward Jake, and the boy could read Ticky’s hatred in his remaining green eye; the boy thought he could hear the man’s last, hateful thought: Oh, you fucking little squint—
Then Tick-Tock collapsed forward, as he had collapsed in the Cradle of the Grays . . . only this time he would rise no more.
“Thus fell Lord Perth, and the earth did shake with that thunder,” said the man on the throne.
Except he’s not a man, Jake thought. Not a man at all. We’ve found the Wizard at last, I think. And I’m pretty sure I know what’s in the bag he has.
“Marten,” Roland said. He held out his left hand, the one which was still whole. “Marten Broadcloak. After all these years. After all these centuries.”
“Want this, Roland?”
Eddie put the gun he had used to kill the Tick-Tock Man in Roland’s hand. A tendril of blue smoke was still rising from the barrel. Roland looked at the old revolver as if he had never seen it before, then slowly lifted it and pointed it at the grinning, rosy-cheeked figure sitting cross-legged on the Green Palace’s throne.
“Finally,” Roland breathed, thumbing back the trigger. “Finally in my sights.”
8
“That six-shooter will do you no good, as I think you know,” the man on the throne said. “Not against me. Only misfires against me, Roland, old fellow. How’s the family, by the way? I seem to have lost touch with them over the years. I was always such a lousy correspondent. Someone ought to take a hosswhip to me, aye, so they should!”
He threw back his head and laughed. Roland pulled the trigger of the gun in his hand. When the hammer fell there was only a dull click.
“Toadjer,” the man on the throne said. “I think you must have gotten some of those wet slugs in there by accident, don’t you? The ones with the flat powder? Good for blocking the sound of the thinny, but not so good for shooting old wizards, are they? Too bad. And your hand, Roland, look at your hand! Short a couple of fingers, by the look. My, this has been hard on you, hasn’t it? Things could get easier, though. You and your friends could have a fine, fruitful life—and, as Jake would say, that is the truth. No more lobstrosities, no more mad trains, no more disquieting—not to mention dangerous—trips to other worlds. All you have to do is give over this stupid and hopeless quest for the Tower.”
“No,” Eddie said.
“No,” Susannah said.
“No,” Jake said.
“No!” Oy said, and added a bark.
The dark man on the green throne continued to smile, unperturbed. “Roland?” he asked. “What about you?” Slowly, he raised the drawstring bag. It looked dusty and old. It hung from the wizard’s fist like a teardrop, and now the thing in its pouch began to pulse with pink light. “Cry off, and they need never see what’s inside this—they need never see the last scene of that sad long-ago play. Cry off. Turn from the