call that nothing.”
“The gods may restore Kimba Rimer in the clearing,” Olive said, “but the truth is he looted half of this town’s treasury, and what he didn’t give over to John Farson, he kept for himself.”
Rimer recoiled as if slapped.
“Ye didn’t know I knew? Laslo, I’d be angry at how little any of ye thought of me . . . except why would I want to be thought of by the likes of you, anyway? I knew enough to make me sick, leave it at that. I know that the man you’re sitting beside—”
“Shut up,” Rimer muttered.
“—was likely the one who cut yer brother’s black heart open; sai Reynolds was seen that early morning in that wing, so I’ve been told—”
“Shut up, you cunt!”
“—and so I believe.”
“Better do as he says, sai, and hold your tongue,” Reynolds said. Some of the lazy good humor had left his face. Susan thought: He doesn’t like people knowing what he did. Not even when he’s the one on top and what they know can’t hurt him. And he’s less without Jonas. A lot less. He knows it, too.
“Let us pass,” Olive said.
“No, sai, I can’t do that.”
“I’ll help ye, then, shall I?”
Her hand had crept beneath the outrageously large serape during the palaver, and now she brought out a huge and ancient pistola, its handles of yellowed ivory, its filigreed barrel of old tarnished silver. On top was a brass powder-and-spark.
Olive had no business even drawing the thing—it caught on her serape, and she had to fight it free. She had no business cocking it, either, a process that took both thumbs and two tries. But the three men were utterly flummoxed by the sight of the elderly blunderbuss in her hands, Reynolds as much as the other two; he sat his horse with his jaw hanging slack. Jonas would have wept.
“Get her!” a cracked old voice shrieked from behind the men blocking the road. “What’s wrong with ye, ye stupid culls? GET HER!”
Reynolds started at that and went for his gun. He was fast, but he had given Olive too much of a headstart and was beaten, beaten cold. Even as he cleared leather with the barrel of his revolver, the Mayor’s widow held the old gun out in both hands, and, squinching her eyes shut like a little girl who is forced to eat something nasty, pulled the trigger.
The spark flashed, but the damp powder only made a weary floop sound and disappeared in a puff of blue smoke. The ball—big enough to have taken Clay Reynolds’s head off from the nose on up, had it fired—stayed in the barrel.
In the next instant his own gun roared in his fist. Olive’s horse reared, whinnying. Olive went off the gelding head over boots, with a black hole in the orange stripe of her serape—the stripe which lay above her heart.
Susan heard herself screaming. The sound seemed to come from very far away. She might have gone on for some time, but then she heard the clop of approaching pony-hooves from behind the men in the road . . . and knew. Even before the man with the lazy eye moved aside to show her, she knew, and her screams stopped.
The galloped-out pony that had brought the witch back to Hambry had been replaced by a fresh one, but it was the same black cart, the same golden cabalistic symbols, the same driver. Rhea sat with the reins in her claws, her head ticking from side to side like the head of a rusty old robot, grinning at Susan without humor. Grinning as a corpse grins.
“Hello, my little sweeting,” she said, calling her as she had all those months ago, on the night Susan had come to her hut to be proved honest. On the night Susan had come running most of the way, out of simple high spirits. Beneath the light of the Kissing Moon she had come, her blood high from the exercise, her skin flushed; she had been singing “Careless Love.”
“Yer pallies and screw-buddies have taken my ball, ye ken,” Rhea said, clucking the pony to a stop a few paces ahead of the riders. Even Reynolds looked down on her with uneasiness. “Took my lovely glam, that’s what those bad boys did. Those bad, bad boys. But it showed me much while yet I had it, aye. It sees far, and in more ways than one. Much of it I’ve forgot . . . but not which way