only to understand these things, but to accomplish them. A striped top, a wide-brimmed hat, shorts for that “special beach weekend.” Lipsticks for fall, jeans that were perfect for a hayride, pendant earrings for that holiday party and snowball fight. Who lived these lives?
The party outfit was going to be black shorts and black tank top. Stevie owned no jewelry. Her concession to the occasion was a pair of red flip-flops.
Janelle appeared at her door dressed in a baby-blue dress covered in lemons, with matching lemon earrings, and a gentle lemony perfume. This was all acceptable from Janelle, because it made sense. If Janelle could build a machine, she could build an outfit.
Random, discordant bleating came from upstairs. Ellie was playing her saxophone, and one thing was clear—she did not know how to play.
“Oh,” Janelle said, looking up. “That may get old, fast.”
“Is this ‘party’ enough?” Stevie asked.
“You look great,” Janelle said, and it sounded sincere. “I just, I got nervous. I wear my lemons when I’m nervous.”
A moment later, Ellie, still pink, still drippy, came down the stairs, nudging a reluctant and unhappy Nate. She had saxophoned him out of hiding.
It was time to go to a party.
7
THE SLOW SUMMER TWILIGHT WAS FALLING AND THE FIREFLIES ROSE out of the grass and bobbed around as pockets of people made their way to the party, which was being held in the yurt. The Ellingham Great House windows caught the last of the dying sunlight, the windows glowing orange and gold. Ellie led the pack, blasting away on Roota in a series of off-kilter squawks that made the birds fly out of the trees as they passed.
“David needs to get here,” she said. “You’ll love him. He’s the best.”
As they went through one of the many wooded areas with statues, Ellie stopped for a moment in front of one of the statues, reached into her bag, and produced a small spray can. She painted the words THIS IS ART onto the torso in dripping blue letters, replaced the can, and kept skipping ahead and bleating on the sax.
“Someone has a case of the try-too-hards,” Nate said in a low voice. The yurt was packed when they arrived. There was a hum of voices coming from within. Ellie peeled back the canvas opening and raised Roota high. A group of people on a small sofa in the back cheered, and she joined them. Within a minute, she was wrapped in a black boa that had materialized from somewhere. A first year was in this group, striking in black lipstick and a shaggy red dress. Her name, Stevie would pick up as the evening went on, was Maris Coombes, and she was an opera singer. Stevie learned this because she kept emitting high, clear snatches of arias.
An intense-looking guy with wild hair who wore a massively oversized dress shirt, like something a painter might drape over themselves, was gesturing with a vape. Hayes was there as well, sunk deep into the folds of the sofa. Maris was very close to him and they spoke face-to-face.
Janelle scanned the room and found Vi, who was sitting on a rug with three other people, playing a tile-based game.
“Let’s sit there,” she said to Nate and Stevie.
It was as good a place as any. Vi scooted over and made room for everyone, and introductions were made.
“This is Marco, DeShawn, and Millie,” she said. “Do you like Castles of Arcadia? We were going to play.”
“Sure!” Janelle said. “I don’t know how but show me.”
Stevie also didn’t know how to play. Nate did, and this brought a bit of enthusiasm to his demeanor. He immediately started explaining the value of tiles with pictures of grain and bricks on them, the importance of the various green squares, why you needed to build by rivers and collect the tiny wooden sheep and cows and put them in fenced areas. Janelle remained focused, but Stevie couldn’t help looking around the room, and soon she lost track of what the game was even supposed to be about.
A girl came in through the flap with a kind of queenly bearing. She had a crown of vibrant long red hair, thick and curly. Stevie had met people with long hair and people with curly hair and people with red hair, but this hair was like a force of nature. It wasn’t fully curly—it was stretched out and full and golden. It was less like hair and more like a weather pattern. Someone called out the