about a pirate, and the second involves a ceremony with an acolyte in a strange underground library, the third part is something else entirely.
The third part is about him.
The boy is the son of the fortune-teller.
A coincidence, he thinks, but as he continues reading the details are too perfect to be fiction. Sage may permeate the shoelaces of many sons of fortune-tellers but he doubts that they also took shortcuts through alleyways on their routes home from school.
When he reaches the part about the door he puts the book down.
He feels light-headed. He stands up, worried he might pass out and thinking he might open the window and instead he kicks over his forgotten mug of cocoa.
Automatically, Zachary walks down the hall to the kitchenette to get paper towels. He mops up the cocoa and goes back to the kitchenette to throw away the sopping towels. He rinses his mug in the sink. The mug has a chip he is not certain was there before. Laughter echoes up the stairwell, far away and hollow.
Zachary returns to his room and confronts the book again, staring at it as it rests nonchalantly on the beanbag chair.
He locks his door, something he rarely does.
He picks up the book and inspects it more thoroughly than he had before. The top corner of the cover is dented, the cloth starting to fray. Tiny flecks of gold dot the spine.
Zachary takes a deep breath and opens the book again. He turns to the page where he left off and forces himself to read the words as they unfold precisely the way he expects them to.
His memory fills in the details left off the page: the way the whitewash reached halfway up the wall and then the bricks turned red again, the dumpsters at the other end of the alley, the weight of his schoolbook-stuffed backpack on his shoulder.
He has remembered that day a thousand times but this time it is different. This time his memory is guided along by the words on the page and it is clear and vibrant. As though the moment only just happened and is not more than a decade in the past.
He can picture the door perfectly. The precision of the paint. The trompe l’oeil effect he couldn’t name at the time. The bee with its delicate gold stripes. The sword pointed upright toward the key.
But as Zachary continues reading there is more than what his memory contains.
He had thought there could be no stranger feeling than stumbling across a book that narrates a long-ago incident from his own life that was never relayed to anyone, never spoken about or written down but nevertheless is unfolding in typeset prose, but he was wrong.
It is stranger still to have that narration confirm long-held suspicions that in that moment, in that alleyway facing that door he was given something extraordinary and he let the opportunity slip from his fingers.
A boy at the beginning of a story has no way of knowing that the story has begun.
Zachary reaches the end of the page and turns it, expecting his story to continue but it does not. The narrative shifts entirely again, to something about a dollhouse. He flips through the rest of the book, scanning the pages for mentions of the son of the fortune-teller or painted doors but finds nothing.
He goes back and rereads the pages about the boy. About him. About the place he did not find behind the door, whatever a Starless Sea is supposed to be. His hands have stopped shaking but he is light-headed and hot, he remembers now that he never opened the window but he cannot stop reading. He pushes his eyeglasses farther up the bridge of his nose so he can focus better.
He doesn’t understand. Not only how someone could have captured the scene in such detail but how it is here in a book that looks much older than he is. He rubs the paper between his fingers and it feels heavy and rough, yellowing to near brown around the edges.
Could someone have predicted him, down to his shoelaces? Does that mean the rest of it could be true? That somewhere there are tongueless acolytes in a subterranean library? It doesn’t seem fair to him to be the solitary real person in a collection of fictional characters, though he supposes the pirate and the girl could be real. Still, the very idea is so ludicrous that he laughs at himself.
He wonders if he is