to work.
The box file was never lost. It was in one of the spare rooms at the top of the house, beneath a teetering pile of copies of The Architect’s Journal and Architectural Review. Belinda thought about the box file, and what it contained, from time to time, and, one night when Gordon was in Scotland overnight consulting on the remodeling of an ancestral home, she did more than think.
Both of the children were asleep. Belinda went up the stairs into the undecorated part of the house. She moved the magazines and opened the box, which (where it had not been covered by magazines) was thick with two years of undisturbed dust. The envelope still said Gordon and Belinda’s Marriage on it, and Belinda honestly did not know if it had ever said anything else.
She took out the paper from the envelope, and she read it. And then she put it away, and sat there, at the top of the house, feeling shaken and sick.
According to the neatly typed message, Kevin, her second child, had not been born; the baby had been miscarried at five months. Since then Belinda had been suffering from frequent attacks of bleak, black depression. Gordon was home rarely, it said, because he was conducting a rather miserable affair with the senior partner in his company, a striking but nervous woman ten years his senior. Belinda was drinking more, and affecting high collars and scarves to hide the spiderweb scar upon her cheek. She and Gordon spoke little, except to argue the small and petty arguments of those who fear the big arguments, knowing that the only things that were left to be said were too huge to be said without destroying both their lives.
Belinda said nothing about the latest version of Gordon and Belinda’s Marriage to Gordon. However, he read it himself, or something quite like it, several months later, when Belinda’s mother fell ill, and Belinda went south for a week to help look after her.
On the sheet of paper that Gordon took out of the envelope was a portrait of a marriage similar to the one that Belinda had read, although, at present, his affair with his boss had ended badly, and his job was now in peril.
Gordon rather liked his boss, but could not imagine himself ever becoming romantically involved with her. He was enjoying his job, although he wanted something that would challenge him more than it did.
Belinda’s mother improved, and Belinda came home again within the week. Her husband and children were relieved and delighted to see her.
It was Christmas Eve before Gordon spoke to Belinda about the envelope.
“You’ve looked at it too, haven’t you?” They had crept into the children’s bedrooms earlier that evening and filled the hanging Christmas stockings. Gordon had felt euphoric as he had walked through the house, as he stood beside his children’s beds, but it was a euphoria tinged with a profound sorrow: the knowledge that such moments of complete happiness could not last; that one could not stop Time.
Belinda knew what he was talking about. “Yes,” she said, “I’ve read it.”
“What do you think?”
“Well,” she said. “I don’t think it’s a joke anymore. Not even a sick joke.”
“Mm,” he said. “Then what is it?”
They sat in the living room at the front of the house with the lights dimmed, and the log burning on the bed of coals cast flickering orange and yellow light about the room.
“I think it really is a wedding present,” she told him. “It’s the marriage that we aren’t having. The bad things are happening there, on the page, not here, in our lives. Instead of living it, we are reading it, knowing it could have gone that way and also that it never did.”
“You’re saying it’s magic, then?” He would not have said it aloud, but it was Christmas Eve, and the lights were down.
“I don’t believe in magic,” she said, flatly. “It’s a wedding present. And I think we should make sure it’s kept safe.”
On Boxing Day she moved the envelope from the box file to her jewelry drawer, which she kept locked, where it lay flat beneath her necklaces and rings, her bracelets and her brooches.
Spring became summer. Winter became spring.
Gordon was exhausted. By day he worked for clients, designing, and liaising with builders and contractors; by night he would sit up late, working for himself, designing museums and galleries and public buildings for competitions. Sometimes his designs received honorable mentions, and were reproduced in architectural