hoped He would call me back, explain every detail of His plan to me, somehow make it all better. But He said nothing, and I left His Presence without ever looking back.”
The man was silent, then. And he remained silent—I couldn’t even hear him breathing—for so long that I began to get nervous, thinking that perhaps he had fallen asleep or died.
Then he stood up.
“There you go, pal. That’s your story. Do you think it was worth a couple of cigarettes and a book of matches?” He asked the question as if it was important to him, without irony.
“Yes,” I told him. “Yes. It was. But what happened next? How did you . . . I mean, if . . . ” I trailed off.
It was dark on the street now, at the edge of daybreak. One by one the streetlamps had begun to flicker out, and he was silhouetted against the glow of the dawn sky. He thrust his hands into his pockets. “What happened? I left home, and I lost my way, and these days home’s a long way back. Sometimes you do things you regret, but there’s nothing you can do about them. Times change. Doors close behind you. You move on. You know?
“Eventually I wound up here. They used to say no one’s ever originally from L.A. True as Hell in my case.”
And then, before I could understand what he was doing, he leaned down and kissed me, gently, on the cheek. His stubble was rough and prickly, but his breath was surprisingly sweet. He whispered into my ear: “I never fell. I don’t care what they say. I’m still doing my job, as I see it.”
My cheek burned where his lips had touched it.
He straightened up. “But I still want to go home.”
The man walked away down the darkened street, and I sat on the bench and watched him go. I felt like he had taken something from me, although I could no longer remember what. And I felt like something had been left in its place—absolution, perhaps, or innocence, although of what, or from what, I could no longer say.
An image from somewhere: a scribbled drawing of two angels in flight above a perfect city; and over the image a child’s perfect hand print, which stains the white paper blood-red. It came into my head unbidden, and I no longer know what it meant.
I stood up.
It was too dark to see the face of my watch, but I knew I would get no sleep that day. I walked back to the place I was staying, to the house by the stunted palm tree, to wash myself and to wait. I thought about angels and about Tink; and I wondered whether love and death went hand in hand.
The next day the planes to England were flying again.
I felt strange—lack of sleep had forced me into that miserable state in which everything seems flat and of equal importance; when nothing matters, and in which reality seems scraped thin and threadbare. The taxi journey to the airport was a nightmare. I was hot, and tired, and testy. I wore a T-shirt in the L.A. heat; my coat was packed at the bottom of my luggage, where it had been for the entire stay.
The airplane was crowded, but I didn’t care.
The stewardess walked down the aisle with a rack of newspapers: the Herald Tribune, USA Today, and the L.A.Times. I took a copy of the Times, but the words left my head as my eyes scanned over them. Nothing that I read remained with me. No, I lie. Somewhere in the back of the paper was a report of a triple murder: two women and a small child. No names were given, and I do not know why the report should have registered as it did.
Soon I fell asleep. I dreamed about fucking Tink, while blood ran sluggishly from her closed eyes and lips. The blood was cold and viscous and clammy, and I awoke chilled by the plane’s air-conditioning, with an unpleasant taste in my mouth. My tongue and lips were dry. I looked out of the scratched oval window, stared down at the clouds, and it occurred to me then (not for the first time) that the clouds were in actuality another land, where everyone knew just what they were looking for and how to get back where they started from.
Staring down at the clouds is one of the things I have always liked best about