of the window. His whole body was rigid, his hands clenched on his knees.
“What do you mean by ‘with Sanna that time’?” asked Sven-Erik gently.
“When Sara was three or four, Sanna and Rebecka Martinsson shared a flat,” Kristina Strandgård went on, her voice strained. “She tried to break up the family. And she is an enemy of the church and of God’s work in this town. Do you understand how it makes us feel, knowing our girls are in her power?”
“I understand,” said Sven-Erik sympathetically. “How exactly did she try to break up the family and work against the church?” “By—”
A look from her husband made her swallow the rest of the sentence.
“By what?” probed Sven-Erik, but Kristina Strandgård’s face had turned to stone, and her eyes were fixed on the shiny surface of the glass table.
“It’s not my fault,” she said in a broken voice.
She repeated it over and over again, her gaze on the table, not daring to look up at Olof Strandgård.
“It’s not my fault, it’s not my fault.”
Is she defending herself to her husband, or is she accusing him? thought Anna-Maria.
Olof Strandgård became his gentle, considerate self once again. He placed his hand lightly on his wife’s arm to silence her, then stood up.
“I think this has been a bit too much for us,” he said to Anna-Maria and Sven-Erik, and the conversation was at an end.
When Sven-Erik Stålnacke and Anna-Maria Mella emerged from the house, the doors of two cars parked in the street flew open. Out jumped two reporters equipped with microphones wrapped in thick woolen socks. A cameraman was right behind one of them.
“Anders Grape, Radio Sweden’s local news team,” said the first one to reach them. “You’ve arrested the Paradise Boy’s sister—any comment on that?”
“Lena Westerberg, TV3,” said the one who had the cameraman in tow. “You were first on the scene of the murder—can you describe what it looked like?”
Sven-Erik and Anna-Maria didn’t reply but jumped into the car and drove off.
“They must have asked the neighbors to tip them off if we turned up,” said Anna-Maria; in the rearview mirror she could see the journalists walking up to the parents’ house and ringing the doorbell.
“Poor woman,” said Sven-Erik as they pulled out onto Bävervägen. “He’s a cold bastard, that Olof Strandgård.”
“Did you notice he never mentioned Viktor by name? It was ‘the lad’ and ‘the boy’ the whole time,” said Anna-Maria.
“We need to talk to her sometime when he’s not home,” said Sven-Erik thoughtfully.
“You should do that,” said Anna-Maria. “You’ve got a way with women.”
“How come so many pretty women end up like that?” asked Sven-Erik. “Fall for the wrong kind of guy and sit at home like miserable prisoners once the kids have moved out.”
“I’m sure there aren’t more pretty ones who end up like that than any other sort,” said Anna-Maria dryly. “But the pretty ones get all the attention.”
"What are you going to do now?" asked Sven-Erik.
"Have a look at the album, and at the videos from the church," replied Anna-Maria.
She looked out through the car window. The sky was gray and leaden. When the sun couldn’t fight its way through the clouds, it was as if all the colors disappeared, and the town looked like a black-and-white photograph.
“But this just isn’t acceptable,” said Rebecka, looking in through the cell door as the guard unlocked it and let Sanna Strandgård out into the corridor.
The cell was narrow, and the stone walls were painted an indeterminate shade of beige with splashes of black and white. There was no furniture in the tiny room, just a plastic mattress placed directly on the floor and covered in paper. The reinforced window looked out over a path and apartment blocks with a façade of green corrugated tin. It had a stale, sour smell of dirt and drunkenness.
The guard accompanied Sanna and Rebecka to the interview room. Three chairs and a table stood by a window. As the women sat down, the guard went through the bags of clothes and other bits and pieces Rebecka had brought with her.
“I’m so glad they’re letting me stay here,” said Sanna. “I hope they don’t take me to the proper jail in Luleå. For the girls’ sake. I’ve got to be able to see them. They’ve got furnished holding cells, but they were all occupied, so I had to go in the drunks’ cell for the time being. But it’s really practical. If anybody’s been sick or something, they just hose it down. It’d be