lay a piece of red cloth. It seemed to be woven of light cotton, and near the back Brunetti could see a separate piece: could it be a sleeve? Yes, that was it, a sleeve, and there was the collar, right at the back. A sweater then, a red cotton sweater, summer weight. Fulgoni stood beside him, motionless and silent, so Brunetti returned his attention to the cloth, puzzled that the other man should want him to look at it. Just below the neck there appeared a figure, or at least a change in colour. Darker than the rest of the sweater, it was amorphous: a flower, perhaps? One of those big things like a peony? An anemone?
There, on the top of the sleeve, was another flower, this one smaller and darker. Drier.
Brunetti reached to open the door of the cage but before he could, Fulgoni put a hand on his arm, saying, ‘Don’t touch it, Commissario. I don’t think you want to contaminate the evidence.’ There was no trace of sarcasm in his voice, only concern.
Brunetti looked at the sweater for a long time before he asked, ‘How careful were you when you put it in there?’
‘I picked it up with my handkerchief after she went back upstairs. I didn’t know what would happen, but I wanted there to be some . . .’
‘Some what?’ Brunetti asked.
‘Something that would show what had happened.’
‘Would you tell me what that was?’
Fulgoni moved closer to the door, perhaps in search of cooler air. Both of them were sweating heavily, and the birdcages, since being disturbed by Fulgoni, emanated a foul, dusty odour.
‘Araldo and I had use of one another. I suppose you could say it that way. He seemed to like things to be quick and anonymous, and I had no choice but to settle for that.’ Fulgoni sighed, and in the process must have drawn in some of the air disturbed by the cages, for he started to cough. The force of it bent him forward, and he covered his mouth with his hand, smearing the rust stains further.
When the coughing stopped, he stood upright and continued. ‘We would meet here. Araldo called it,’ he said with conscious melodrama and a wave of his arm at the low ceiling, the dust-tinged beams, ‘our own little love nest.’ He pulled out his handkerchief and wiped at his face, spreading the rust, but lighter now, across his forehead.’My wife knew, I suppose. My mistake was to think she didn’t care.’
He said nothing more for so long a time that Brunetti asked, ‘And that night?’
‘It was almost as my wife told you, except that it was her sweater that was dropped. A red cotton sweater. I said I’d go out and look for it. It wasn’t as far as Santa Caterina, but just on the other side of the first bridge. When I went out, I saw that the door to Fontana’s mailbox was open: that was the signal we used. If I saw it when my wife and I came home together, I’d make some excuse about going out for a walk, and I’d come downstairs and ring his doorbell from out in the calle, so he’d have an excuse to go out. And when he came down, we would retreat to our bower of love.’
‘Is that what happened?’
‘Yes. I put the sweater on the railing of the staircase, where it would be safe. And then Araldo came down. It never took long. Araldo didn’t want to waste time on talk or anything like that. When we were finished, he always went out first: we were careful about that.’
‘But not always?’ Brunetti asked.
‘Signor Marsano, you mean?’
‘Yes.’
Fulgoni shook his head at the memory. ‘We were in the courtyard one time when he opened the door. It’s not that we were doing anything, but it must have been obvious to him.’ Fulgoni shrugged. ‘It was another reason we were careful. After that, I mean.’
‘And that night?’
‘Araldo left first and was crossing the courtyard, when I heard her voice. The light was out in here, so I thought if I just stayed quiet maybe everything would be all right. And then I’d stop. I always wanted to stop,’ he said, voice wistful. ‘But I knew I wouldn’t.’
Fulgoni wiped his face again, and Brunetti was about to suggest they go out into the courtyard when the other man continued. ‘So I stayed in here, trapped, and listened to them argue. I’d never heard her talk like that