flower-laden altars, no, our Blessed Mother did not ask that of us.
Now, at sea, alone, I lay awake to avoid these blood dreams.
When exhaustion won out, a dream came with sleep as if it had been waiting for my eyes to close.
I lay in a gold chamber. I was drinking blood, blood from the throat of a god, or so it seemed, and choruses were singing or chanting—it was a dull, repetitive sound not quite worthy of being called music, and when I had had my fill of blood, this god or whoever this was, this silken-skinned proud thing, lifted me and placed me on an altar.
Vividly, I could feel the cold marble beneath me. I realized I wore no clothes. I felt no modesty. Somewhere far off, echoing through these great halls, came the weeping of a woman. I was full of blood. Those who chanted approached with little clay oil lamps. Faces around me were dark, dark enough to be from far faraway Ethiopia or India. Or Egypt. Look. Painted eyes! I looked at my hands and arms. They were dark. But I was this person who lay on the altar, and I say person now because it had come clear to me with no disturbance during the dream itself that I was a man lying there. Pain tore at me. The god said, “This is merely the passage. You will now drink from each of us, only a little blood.”
Only when I woke did the brief transition in the masculine gender leave me as puzzled as everything else. I was drenched with a sense of Egyptian art, Egyptian mystery—as I’d seen it in golden statues for sale in the marketplace, or when the Egyptian dancers performed at a banquet, like walking sculptures with their black-lined eyes, and black plaited wigs, whispering in that mysterious tongue. What had they thought of our Isis in Roman dress?
A mystery taunted me; something attacked my reason. The very thing the Roman Emperors had so feared in Egyptian cults and Oriental cults swept over me: mystery and emotion which claim a superiority to reason and law.
My Isis had been a Roman goddess, really, a universal goddess, the Mother of us all, her worship spreading out in a Greek and Roman world long before it had come into Rome itself. Our Priests were Greeks and Roman, poor men. We the congregation were all Greeks and Romans.
Something scratched at the back of my mind. It said, “Remember.” It was a tiny desperate voice within my own brain that urged me to “remember” for my own sake.
But remembering only led to confused and jumbled thoughts. Suddenly a veil would fall between the reality of my cabin on the ship, and the tumbling of the sea—between that and some dim and frightening world, of Temples covered in words that made magic! Long narrow beautifully bronzed faces. A voice whispered, “Beware the Priests of Ra; they lie!”
I shivered. I closed my eyes. The Queen Mother was bound and chained to her throne! She wept! It had been her crying. Unspeakable. “But you see, she has forgotten how to rule. Do as we say.”
I shook myself awake. I wanted to know and I did not want to know. The Queen wept beneath her monstrous fetters. I couldn’t see her clearly. It was all in progress. It was busy. “The King is with Osiris, you see. You see how he stares; each one whose blood you drink, you give to Osiris; each one becomes Osiris.”
“But why did the Queen scream?”
No, this was madness. I couldn’t let this confusion overcome me. I couldn’t deliberately slip from reason into these fantasies or recollections supposing they had a true root.
They had to be nonsense, twisted images of grief and guilt, guilt that I had not rushed to the hearth and driven the dagger into my breast.
I tried to remember the calming voice of my Father, explaining once how the blood of the gladiators satisfied the thirst of the dead, the Manes.
“Now, some say that the Dead drink blood,” spoke my Father from some long ago dinner talk. “That’s why we are so fearful on all these unlucky days, when the Dead are supposed to be able to walk the Earth. I personally think this is nonsense. We should revere our ancestors . . . ”
“Where are the Dead, Father?” my brother Lucius asked.
Who had piped up from the other side of the table, to quote Lucretius in a sad little female voice that nevertheless commanded silence