a cup of tea?’ I asked.
He stopped, mid-breath. ‘Tea. Yes. God, it’s early, isn’t it,’ he laughed.
‘Were you going to just stand out there until I turned up?’
‘Yes,’ he said.
‘You’re a mad boy.’
‘Who’s mad?’ he said, and we grinned at each other. I looked at his pale face. ‘Even without a job, my mother would still think you’re perfect.’
‘Why would she think that?’ he asked.
I sighed. It was too early in the morning to explain.
We had an hour together, sitting in the reception hall, the front door locked as I sorted the post and brewed the tea and coffee that Pamela and I had to keep renewing throughout the day. Lawrie seemed genuinely delighted by his cup of tea. It was as if he had never seen a hot beverage before.
He told me about his mother’s funeral. ‘It was awful. Gerry read a poem about a dying rose.’ I put my hand over my mouth to hide my smile. ‘No, you should laugh,’ he said. ‘My mother would have laughed. She would have hated it. She didn’t even like roses. And Gerry has a terrible poetry voice. The worst voice I’ve ever heard. Like he’s got a plunger up his bum. And the priest was senile. And there were no more than five of us there. It was bloody awful and I hated that she had to go through it.’
‘I’m sorry,’ I said.
He sighed, stretching his legs out. ‘Not your fault, Odelle. Anyway. It’s done. RIP, all that.’ He rubbed his face as if erasing a memory. ‘And you? How’s life without your flatmate?’
I was touched he remembered. ‘All right,’ I said. ‘Bit quiet.’
‘I thought you liked quiet.’
‘How would you know?’
‘You didn’t want to go to the Flamingo.’
‘Different sort of quiet,’ I said.
We were quiet ourselves then, me sitting behind the counter, and him on the other side, the brown-paper package between us, waiting on the wood. It was a nice silence, warm and full, and I liked him sitting there unobtrusive – yet, to my eyes, fizzing with the light I had sensed when we first met.
He was beautiful to me, and as I laid out the Express for Pamela, and did a spurious sorting of the desk, I hoped that she would be delayed somehow. Back home, I’d had one or two of what my mother would have called ‘dalliances’; holding hands in the dark at the Roxy, hot dogs after lectures, awkward kisses at a Princes Building concert, a late-night picnic on the Pitch Walk, watching the bluish light of the candle-flies. But I’d never done . . . the whole thing.
I generally avoided male attention, finding the courting business excruciating. ‘Free love’ had passed us schoolgirls by in Port of Spain. Our Catholic education was a Victorian relic, redolent with overtones of fallen women, irretrievable girls mired in pools of their own foolishness. We had been instructed that we were too superior for that exchange of flesh.
My attitude to sex was one of haughty fear, confused by the fact that there were girls who did it, girls like Lystra Wilson or Dominique Mendes, with boyfriends older than themselves and secrets in their eyes, who seemed to be having a very good time indeed. How they procured these boyfriends was always a mystery to me – but it no doubt involved disobedience, climbing out of bedroom windows and into the nightclubs off Frederick Street and Marine Square. In my memory, Lystra and Dominique, those daring ones, seemed like women from the moment they were born, mermaids come ashore to live among us, feminine and powerful. No wonder we scaredy-cats retreated into books. Sex was beneath us, because it was beyond us.
The Skelton front door was still locked. I didn’t want it to end – the kettle whistling for more tea in the back room, him stretching and folding his legs, asking me what films I’d seen and how could I have not seen that and did I like blues or was I into folk and how many months had I worked here, and did I like being in Clapham. Lawrie was always very good at making you feel like you were important.
‘Would you like to go to the cinema?’ he said. ‘We could see You Only Live Twice, or The Jokers.’
‘The Jokers? Sounds about right for you.’
‘Oliver Reed’s in it – he’s excellent,’ said Lawrie, ‘but isn’t a crime caper too flip for you?’
‘Flip? Why?’
‘Because you’re clever. You’d take it as an insult if I took you