accident—with so much on his mind, O’Neil had simply drifted away—and though they had managed to remain friends for the rest of their time at college, O’Neil often felt a stab of longing for her, and the way she had made him feel: more alive somehow, as if his life were an open door he had only to step through. The summer after graduation, Sandra had ridden her bicycle across the country, raising money for hunger relief; now she was in California, a medical student at Stanford planning a career in pediatric oncology, while O’Neil was painting houses and living in a storage room. He would have liked to call her, but what was there to say? On top of everything, Joe owed him two weeks’ pay, and O’Neil had begun to wonder if he would ever see it, let alone the fifteen hundred for his broken leg. If his parents had still been around, he would have asked them what to do. For some time after they had died, when he was alone and feeling lost, O’Neil would speak to them, asking them questions about his life. Should I drop calculus? Should I buy a car? He has never told anyone about this, not even Kay, though secretly he believed she did the same thing.
Now, five years later on his sister’s patio, O’Neil found that his memory of his parents, their incorporeal vividness, had receded. He could no longer hear their voices, or even imagine what they might say to him. When he closed his eyes he could still conjure their faces, but these images were static, like photographs. Sitting in the dark on Kay’s patio, he understood that’s just what they were—memories of pictures, nothing more. It wasn’t just the codeine, O’Neil thought. They had left him alone.
The accident that killed their parents happened on a trip they had taken to visit O’Neil at college, the fall of his sophomore year. His parents had driven up for parents’ weekend, and on the way home, in a snowstorm, their car went off the road and fell a hundred feet into a river gorge. All of this would have been clear enough—a skid on a wet road in failing light—if not for the fact that they had left the college at noon and crashed their car six hours later, on the wrong road entirely, having driven only thirty miles. Where had they spent the intervening hours? Their mother had telephoned Kay at four-thirty, but not said where she was. The stretch of road between the campus and the ravine where their car was found was empty: no towns at all, and no reason to stop. Sleeping in the college library, O’Neil had awakened at five to see, out the window, the first dry flakes falling; by midnight nearly a foot of snow was on the ground, and he had learned that his parents were dead. Identifying the bodies was a job that should have been O’Neil’s—he was, after all, right there—but in the end he could not face this; he waited for Kay and Jack to drive up from New Haven and stood outside the police station in the snowy cold while they saw to this task. Then the three of them drove on to Glenn’s Mills, the upstate New York town where O’Neil and his sister had grown up, to wait for the bodies to follow them for burial.
O’Neil arranged to take incompletes in all his courses and was planning to stay on at their parents’ house until school started again in January, when Kay would return to New Haven and they would put the house up for sale. Though some might have thought this a morbid scene, a pair of orphans moping around the house, in fact the weeks following their parents’ death passed quickly and became, for O’Neil, a time of strange and unexpected contentment. Unhappiness, he discovered, was an emotion distinct from grief, and he found it was possible both to miss his parents terribly—a loss so overwhelming he simply couldn’t take it all in, like looking at a skyscraper up close—while also finding in the job of settling their affairs a satisfying orderliness. Accounts to be closed, bills to be paid, letters to be read and discarded, clothing to be boxed and carted off: he knew what he and Kay were doing—they were erasing their parents, removing the last evidence of their lives from the earth. It was, O’Neil knew, a way of saying good-bye,